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N-中外文对照类Chinese-Foreign Languages

第十二章-茶学综论 Chapter Twelve-Tea Studies Synthesis-蔡荣章Rong-tsang Tsai 编著Editor

中英文“茶学术语”Chinese-English Tea Studies Terminology

第十二章-茶学综论 Chapter Twelve-Tea Studies Synthesis

蔡荣章Rong-tsang Tsai 编著Editor

(201002.台北陆羽茶艺股份有限公司。ISBN978-957-9690-06-5)

第十二章-茶学综论 Chapter Twelve-Tea Studies Synthesis

一.茶道内涵图解Tea Lore Connotation Diagram

 

 

 

12.1.茶道内涵Tea Lore Connotation

12.2.第1圈:茶道载体1st Circle:Tea Lore Medium

 

12.3.茶Tea

00.0.茶汤Tea Liquid

00.0.泡茶Tea Brewing

00.0.茶器Tea Utensils

12.4.奉茶Tea Serving

00.0.品饮Tea Savoring

12.5.茶食Tea Cuisine

12.6.环境Environment

12.7.第2圈:茶道平台2nd Circle: Tea Lore Platform

12.8.茶法Brewing Methodology

12.9.茶会Tea Functions

12.10.第3圈:茶道内涵3rd Circle :Tea Lore Connotation

12.11.美感Beauty Notion

12.12.艺术The Arts

12.13.思想Ideology

12.14.道德Morality

12.15.第4圈:茶道特质4th Circle :Tea Lore Characteristics

12.16.审美Beauty Appreciation

12.17.创新Creativity

12.18.空寂Quiet and Desolate

12.19.精俭Simple and Exquisite

12.20.无Emptiness

12.21.清和Purification

12.22.利他Benefits

12.23.和谐Harmony

12.24.健康Health

12.25.第5圈:茶道素养5th Circle :Tea Lore Accomplishments

12.26.美学Aesthetics

12.27.绘画Painting

12.28.音乐Music

12.29.书法Calligraphy

12.30.篆刻Engraving

12.31.雕塑Sculpture

12.32.文学Literature

12.33.陶艺Ceramics

12.34.哲学、宗教      Philosophy, Religion

12.35.修身Cultivation

12.36.伦理Ethics

12.37.医药Medicine

12.38.舞蹈Dance

12.39.戏剧Drama

12.40.香道  Incense Lore

12.41.建筑Architecture

12.42.花道Flower Arrangement

12.43.识茶Tea Recognizing

12.44.制茶Tea Making

 

二.茶叶沖泡与茶汤内涵Tea Infusion and Tea Liquid Connotation Diagram

 

 

12.45.第1圈:茶汤色香味的内涵 1st Circle: Tea liquid Color-Scent-Taste Connotation

00.00.茶 汤 Tea Liquid

12.46.色相 Hue

12.47.明度  Brightness

12.48.彩度Saturation

12.49.清澈度Clarity

12.50.香型 Scent Type

12.51.强度 Strength Degree

12.52.持续度 Flavor Endurance

12.53.香性 Scent Character

00.00.茶性 Tea Character

12.54.调和度 Harmonious Degree

00.00.稠度 Richness

00.00.强度  Strength

12.55.第2圈:泡茶五要素5-Keys of Brewing

00.00.水温 Temperature

00.00.茶水比例Tea to Water Ratio

00.00.时间Time

12.56.冲泡器Tea Brewing Vessel

12.57.水质 Water Quality

12.58.第3圈:影响茶叶浸泡时间的因素 Factors Affecting Tea Steeping Time

12.59.水可溶物溶出速度(内在因素之一)

Water substances soluble speed(one of the Inner Factors)

00.00.茶叶完整度  Tea Leaf Integrity Degree

00.00.枝叶连理情形 Stem and Leaf Joint Condition

00.00.叶形大小 Leaf Shape Size

00.00.芽型或叶型Tip Type or Leaf Type

00.00.茶青成熟度Tea Harvest Maturity Degree

00.00.外形紧结度Tea Shape Tightness

00.00.条索紧结度Leaf Twist-Tightness

00.00.发酵程度Fermentation Degree

00.00.萎凋程度 Withering Degree

00.00.揉捻程度 Rolling Degree

00.00.焙火程度Roasting Degree

12.60.陈放年份 Storing Time

12.61.渥堆情形 Piling Condition

00.00.虫咬情形 Insect Bitten Condition

12.62.水可溶物多寡(内在因素 之二)

Water substances  amount(another Inner Factors)

00.00.焙火程度Roasting Degree

00.00.发酵程度 Fermentation Degree

12.63.茶青质量Fresh Leaf Quality

12.64.外在因素Outer Factors

00.00.茶量 Tea Amount

00.00.水温Temperature

12.65.水质 Water Quality

12.66.冲泡器材质Brew Vessel Material

00.00.倒干程度 Drain Drying Degree

00.00.每泡间隔时间 Every Brew Interim Time

12.67.前一泡的浓度Previous Brew Strength

 

 

 

 

 

 

 

 

 

 

三.茶法与茶会类型图解Tea Methodology and Tea Functions Diagram

 

 

00.00.第1圈:十大泡茶法1st Circle: The Ten Tea Methods

12.68.泡茶法Tea Brewing Methodology

00.00.小壶茶法Small Pot Tea Method

00.00.盖碗茶法Cover Bowl Tea Method

00.00.大桶茶法Large Capacity Tea Method

00.00.浓缩茶法Concentrated Tea Method

00.00.含叶茶法Nonstrained Tea Method

00.00.旅行茶法Travel Tea Method

00.00.抹茶法Whisking Tea Method

00.00.煮茶法Boiling Tea Method

00.00.冷泡茶法Cold Tea Method

00.00.泡沫茶法Foam Tea Method

 

12.69.第2圈、3圈:因形式而分的茶会类型与举例

2nd and 3rd Circle: Classified by the Tea Function Style, and Examples

12.70.茶会类型 Tea Function Type

12.71.茶席式 Tea Site Style

12.72.桌上茶席 Table Tea Site

12.73.席地茶席 Ground Tea Site

12.74.榻榻米茶席Tatami Tea Site

12.75.宴会式 Banquet Tea Style

12.76.茶席个别供茶式 Tea Site Supplying Tea Individually

12.77.统一供茶式 Supplying Tea Centralized

12.78.流觞式Floating Cup Style

12.79.曲水茶宴 Winding Creek Tea Gathering

12.80.环列式 Circle Tea Style

00.00.无我茶会Wu-Wo Tea Ceremony

12.81.礼仪式Etiquette Style

12.82.四序茶会Perennial Tea Ceremony

12.83.献茶礼Offer Tea Ritual

12.84.寺院茶礼 Temple Tea Ceremony

 

12.85.第4圈:因目的而分的茶会类型

4th Circle: Classified by the Tea Function Purpose

12.86.为茶道  For Teaism

12.87.为庆祝 For Celebrating

12.88.为追思 For Remembrance

12.89.为游兴 For Leisure

12.90.为社交 For Socializing

12.91.为仪轨For Rites

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

四.无我茶会要义图解Wu-Wo Tea Ceremony Connotation Diagram

 

12.92.第1圈:茶会队形 1st Circle: Tea Function Formation

12.93.围成圆圈泡茶gather to form a circle to brew tea

 

00.00.第2圈:特殊做法 2nd Circle: The special way

00.00.抽签决定座次Drawing Lots for Seating

00.00.茶具自备泡法不拘prepare tea ware and not confined to any brewing manner

00.00.单边奉茶same direction tea serving

00.00.茶叶自备种类不拘 Prepare tea leaf of any kind

00.00.品饮自己与别人的茶汤 Drink one’s own and others tea liquid

00.00.依公告事项行事无需指挥 Follow Public Announcement no need for a director

00.00.泡茶席间不语Remain silent during brewing

 

00.00.第3圈:七大精神 3rd Circle: The Seven Principles

00.00.无尊卑之分No matter to social status

00.00.无流派与地域之分No distinction of school or region

00.00.无报偿之心No reward is expected

00.00.无好恶之心No bias

00.00.求精进之心Concentrate and  improve

00.00.遵守公共约定Everyone follows the public announcement

00.00.体现群体律动之美Express group rhythm and harmony

 

12.94.第4圈:衍生意义 4th Circle: Derivative Significance

00.00.随遇而安Feel at ease under all circumstances

12.95.信任 Trust

00.00.无所为而为Actions without intentions

12.96.不排斥新事物Don’t rule out new things

12.97.反求诸己Self-examination

12.98.清和 Pure and peace

00.00.培养默契cultivate tacit understanding

 

12.99.第5圈:积极作为 5th Circle: Positive Action

12.100.〝茶席设置〞、〝与会心情〞以精简为原则 “Tea Site Setup”, “Participation Mood” use   simple and exquisite principles

12.101.将选定的茶席与泡法做得是自己当时的最好Tea site and tea method once selected  do it         best

12.102.有人围观时行〝对外奉茶〞If there are spectators have “spectator serving”

12.103.携带乐与大家分享的茶具与茶叶 Bring tea ware and tea that others will enjoy

12.104.茶会名称不涉广告  Tea function name can not involve advertising

12.105.会后不交换茶具以为纪念 After tea function exchanging tea ware is not  expectable

12.106.不要因自己的表现令与会者感到不悦 Do not let participants become displeased because of      one’s behavior

12.107.理解无中生有、有无交替的意义 Comprehending ‘being’ comes from ’emptiness’, and being      and emptiness is circulation

 

 

 

 

五.茶文化与茶学图解Tea Culture and Tea Studies Diagram

 

 

 

 

 

六.茶文化与茶学图解Tea Culture and Tea Studies Diagram

12.108.茶文化 Tea Culture

12.109.茶學 Tea Studies

 

12.110.茶道Tea Lore

12.111.茶道載体Tea Lore Medium

12.112.茶道平台   Tea Platform

12.113.茶道內涵Tea Lore Connotation

12.114.茶道特質Tea Lore Characteristics

12.115.茶道素养Tea Lore Accomplishments

 

12.116.茶歷史Tea History

12.117.產業史Industrial History

12.118.生活史Life History

12.119.茶藝史Tea Arts History

12.120.思想史Ideology History

 

12.121.茶生活 Tea and Life

12.122.民生 Life

12.123.禮俗 Customs

12.124.醫藥 Medicine

 

12.125.茶推廣 Tea Promotion

12.126.語文 Languages

12.127.廣告 Advertising

12.128.宣傳 Publicity

12.129.教育Education

 

12.130.茶產業Tea Industry

12.131.栽培Cultivation

12.132.制造Manufacturing

12.133.行銷   Marketing

12.134.政經 Politics

12.135.茶文化乃偏重内涵而言 Tea Culture emphasizes its connotation

12.136.茶学乃偏重课程而言Tea Studies emphasizes learning

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

七.茶学书库分类索引Tea Studies Library Classification and Index

 

首阶编码

1st Order Code

首阶分类

1st Order Classification

2阶编码与分类

2nd Order Code and Classification

注Remark
B 茶思想

Tea Ideology

B1. 茶思综述

Tea Ideology Synthesis

含文集

Including collection of works

B2. 茶哲

Tea Philosophy

含道德. 思维

Including morality and thinking

B3. 茶与宗教

Religious studies

 
B4. 茶美学

Tea Aesthetics

 
D 茶政策

Tea Policies

D1. 茶政经军

Tea Politics , Economy, and Military

如茶马政策、榷茶法

Such as tea-horse Policy, tea taxes

D2. 茶法规

Tea Laws and Regulations

现今

Presently

F

 

茶经济

Tea Economics

 

F1. 茶经济综述

Tea Economics Synthesis

 
F2. 茶行销

Tea Marketing

含通路

Including sales route

F3. 茶餐饮

Tea Restaurant

 
F4. 茶广告

Tea Advertising

 
F5. 茶包装

Tea Packaging

含茶叶茶具

Including tea leaf and tea utensils

G

 

茶文化

Tea Culture

G1. 茶文化学

Tea Culture Studies

另有Z1.茶学综述

And other “Z.1.Tea Studies Synthesis ”

G2. 茶文化比较

Tea Culture Comparison

含品项、地域之比较.各国泡茶法归’L2.泡茶’

Including  kind and region comparison,  Country’s Tea brewing methods belong  to ‘L2.Tea Brewing’

G3. 文化茶集

Tea Culture Collection of Works

即茶文化类之文集

Present tea culture classification and collected works

G4. 文化茶址

Region of  Tea Culture

 
G5. 茶教育

Tea Studies Education

含推广

Including promotion

H 茶译文

Tea Translation

H1. 茶英译

Tea English Translation

仅茶术语之译,译著归其所属类别

Only tea terminology translation, translated version belong s to their order

H2. 茶日译

Tea Japanese Translation

 
H3. 他语茶译

Other Language Tea Translation

 
I 茶文学

Tea Literature

 

I1.茶文综述

Tea Literature Synthesis

 
I2.茶诗

Tea Poetry

 

 

I3.其他茶文

Other Tea Literature

含非茶作品

including tea related works

J

 

 

茶艺术

Tea Arts

 

J1.茶美术

Tea and Fine Arts

含音乐、陶艺

including music, and ceramics

J2.品茗

Tea Savoring

含识茶、饮食、相关作物

Including tea recognition, food and beverage, and related foods

J3.品茗环境

Tea Ambience

 
J4.茶花石等

Floral Arrangement and Stone Appreciation

插花、石艺、挂物floral arranging, stone appreciation, hanging Art
J5.香道Incense Lore  
K 茶史地

Tea History and Geographical Characteristics

K1.茶史茶事

Tea History and Matters

含单位志

including organization history

K2.茶产地

Tea Growing Region

 
K3.茶书茶人

Tea Books and Tea Man

 
K4.茶俗

Tea Customs

 
K5.茶史期刊Tea History Periodicals  
L 泡茶法

Tea Brewing Method

L1.泡茶综述

Tea Brewing Synthesis

 
L2.泡茶

Tea Brewing

 

含水

including water

L3.茶调饮

Tea Beverage

含咖啡等非茶类

including coffee and non-teas

M 茶会

Tea Function

 

 

M1.茶会综述

Tea Function Synthesis

 
 

M2.茶会

Tea Ceremony

 
O 茶化学

Tea Chemistry

O1. 茶化学

Tea Chemistry

 
R 茶保健

Tea and Health

 

R1.茶健综述

Tea Health Synthesis

 

 

R2.茶保健

Tea Health Care

含民俗药方

including folk prescriptions

R3.茶医药

Tea Medicine

 
R4.茶保健期刊

Tea Health  Periodicals

 
S

 

茶农业

Tea Agriculture

 

S1.茶作综述

Tea Production  Synthesis

 

 

S2.茶品种

Tea Varieties

 

 

S3.茶耕作

Tea Cultivation

 

含土壤肥料、病虫害,相关作物

Including soil fertilizer, plant diseases and insect pests, and related crops

S4.茶园机械

Tea Plantation Machinery

 
S5茶园永续

Tea Plantation Sustainable Agriculture

如有机茶(含加工)、生态保育,

such as organic tea(including added processing), and ecology,

S6.茶叶期刊

Tea  Periodicals

 

以茶作、茶造为主者

primarily for tea growing and making,

 

T

 

 

 

 

 

 

 

茶工业

Tea Industry

 

 

 

 

 

 

T1.茶造综述

Tea Making Synthesis

与‘茶作’ 同述时归’S1.茶作综述’.

if including tea growing, belongs to ‘S1.tea production  synthesis’

T2.茶初加工

Tea Primary Processing

含广义茶饮

including non-teas

T3.茶厂机械

Tea Factory Machinery

 
T4.茶审检

Tea Inspection

含审评、检验、标准

including tasting, inspecting, and Standardizing

T5.茶深加工

Tea Advance Added Processing

含茶多元应用

including tea multiple application

W 茶器

Tea Utensils

W1.茶具、饰物

Tea Utensils Decorative Items

含赏

including admirations

W2.茶陶等制作

Tea Pottery Manufacturing

含史

including history

W3.茶器期刊

Tea Utensils Periodicals

 
Y 茶食

Tea Foods

Y1.茶食综述

Tea Foods Synthesis

 
Y2.茶点心

Tea Snacks

 
Y3.茶肴

Tea Cuisine

 
Y4.茶食期刊

Tea Foods Periodicals

 
Z

 

茶综合

Including Review

 

 

 

 

Z1.茶学综述

Tea Studies Synthesis

 

仅局部综述者、归入所属类别.含茶百科 part of synthesis will belong to their orders.  Including tea wikipedia
Z2.茶学文集

Tea Studies Collection of Works

 
Z3.茶词典

Tea Dictionaries

含综合与专题

Including general and special subjects

Z4. 茶综合期刊

Tea Comprehensive Periodicals

 

*说明 : 将茶学专用术语整理、翻译及审定,是当前在学校或国际间推动茶文化工作时很重要的茶学材料。我们只是逐步完成初学茶道者所应用的部分,尚需继续完备。此书 于2005年初开始收编茶学术语,进行整理、修编、审定以及翻译工作,编著:蔡荣章,英文翻译:Steven R.Jones, 校勘:蔡晓晓,于201002出版发行。Editor:Rong-tsang Tsai , English Translator:Steven R.Jones (2376)

第九章-中国茶史Chapter Nine-Chinese Tea History-蔡荣章Rong-tsang Tsai

中英文“茶学术语”Chinese-English Tea Studies Terminology

蔡荣章Rong-tsang Tsai 编著Editor

(2010.02 台北陆羽茶艺股份有限公司 ISBN978-957-9690-06-5)

第九章-中国茶史Chapter Nine-Chinese Tea History

9.1.贡茶 Tribute Tea

9.2.长兴紫笋Changzing Shoot Tea

9.3.阳羡茶Yangyi Tea

9.4.蒙顶茶Mengding Tea

9.5.龙团凤饼Dragon and Phoenix Cake

中国古代帝王时代,民间有特好的茶都会进献给皇上,这些茶就叫作”贡茶 Tribute Tea”。如上述这些茶。

9.6.祁红Keemun Black

9.7.正山小种 Lapsang Souchong Smoke Black tea”

9.8.坦洋工夫Tanyang Gongfu

9.9.英德红茶Yingde Black Tea

9.10.滇红Dian Black

以上这些茶是中国有名的红茶。

9.11.庐山云雾Lushan Mist

9.12.信阳毛尖Xinyang Tip

9.13.仙人掌茶Cactus Tea

以上这些茶是中国有名的绿茶。

瑞草魁King of the Lucky Grass

9.14.不夜侯 Sleepless Marquis

这些都是茶的文化性别名,”瑞草魁King of the Lucky Grass”是说茶为众草之王,”不夜侯Sleepless Marquis”是表明喝茶提神的功效。而且都是陆羽的称号。

9.15.曲水流觴  Winding Creek and Floating Cups

9.16.蘭亭Orchid Pavilion

9.17.陆羽Lu Yu

9.18.《茶经》”Tea Classic”

中国唐代陆羽写了一本《茶经》,是世界上第一本完整的茶书。

9.19.一之源One Origin

9.20.二之具Two Tools

9.21.三之造Three Making

9.22.四之器Four Utensils

9.23.五之煮Five Boiling

9.24.六之饮Six Drinking

9.25.七之事Seven History

9.26.八之出Eight Growing Regions

9.27.九之略Nine Simplify

9.28.十之图Ten Pictorialize

9.29.三卷十章Three Scrolls Ten Chapters

以上是陆羽《茶经 Tea Classic》”三卷十章Three Scrolls Ten Chapters”的每章内容。

9.30.审安老人Old Man Shen’an (Shenan)

9.31.茶具图赞Tea Ware Drawings and Praises

中国宋代审安老人Old Man Shen’an”写了一本《茶具图赞Tea Ware Drawings and Praises》,以拟人法的方式描述了当时12种常用的茶具。

9.32.宋徽宗Emperor Song Huizong

9.33.《大观茶论》” Da Guan Tea Treaties”

9.34.《文会图》”Literary Gathering”

中国宋代有位皇帝叫”徽宗Huizong”,不只绘有著名的《文会图Literary Gathering》,还写有一本《大观茶论 Da Guan Tea Treaties》。

9.35.煮茶boiling tea

9.36.点茶whisking tea

9.37.泡茶brewing tea

中国历代茶的饮用法是这样演变的:唐代的”煮茶boiling tea”、宋代的”点茶whisking tea”、明代以后的”泡茶brewing tea”。

9.38.砧椎crushing block

9.39.风炉brazier

9.40.炭筥charcoal basket

9.41.炭檛charcoal mallet

9.42.火筴 fire chopsticks

9.43.鍑cauldron

9.44.交床cauldron stand

9.45.夹tea tongs

9.46.纸囊paper wallet

9.47.碾crushing roller

9.48.罗合sieve box

9.49.则tea holder

9.50.水方water vessel

9.51.漉水囊water filter bag

9.52.瓢gourd scooper

9.53.竹夹bamboo tongs

9.54.鹾簋salt container

9.55.熟盂boiled water vessel

9.56.碗bowl

9.57.畚bowl basket

9.58.札brush

9.59.涤方water basin

9.60.滓方spent tea basin

9.61.巾tea cloth

9.62.具列utensil table

9.63.都篮utensil basket

以上是陆羽《茶经 Tea Classic》上所介绍的茶器名称。

9.64.茶屋tea house

9.65.茶室tea room

9.66.茶庭tea garden

9.67.泡茶席tea setting

9.68.流理间 preparation room

9.69.茶席tea ceremony site

专用于茶道表达与活动进行的场所称为”茶屋tea room”,包括房子部分的”茶室tea house”与户外的”茶庭tea garden”。茶室内又有供作泡茶、饮茶的”泡茶席tea setting”与供作后勤的”流理间preparation room”。整个茶事进行的地方也可以称作”茶席tea ceremony site “。

9.70.品茗环境tea ambiance

9.71.茶会tea gathering

9.72.插花Floral Arrangement

9.73.香道Incense Arts

9.74.挂画Hanging Arts

“品茗环境tea ambiance”是举办茶会tea gathering的空间,经常会提到”插花Floral Arranging”、”香道Incense Lore”与”挂画Hanging Arts”。

9.75.依依不舍unwilling to part

9.76.一期一会once in a lifetime

每次”茶会tea gathering”结束的时候,总会让人觉得”依依不舍unwilling to part”,更让人深刻体会到”一期一会once in a lifetime”的意义。

9.77.泡茶师Tea Brewing Master

9.78.泡茶师检定考试Tea Brewing Master Certification Exam

泡茶师是对泡茶技艺的肯定,陆羽茶艺中心等单位都会定期举办”泡茶师检定考试Tea Brewing Master Certification Exam ”

*说明  : 将茶学专用术语整理、翻译及审定,是当前在学校或国际间推动茶文化工作时很重要的茶学材料。我们只是逐步完成初学茶道者所应用的部分,尚需继续完备。此书 于2005年初开始收编茶学术语,进行整理、修编、审定以及翻译工作,编著:蔡荣章,英文翻译:Steven R.Jones, 校勘:蔡晓晓,于201002出版发行。Editor:Rong-tsang Tsai , English Translator:Steven R.Jones

 

 

 

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第七章-茶具名称与功能 Chapter Seven-Tea Ware Types and Functionality-蔡荣章Rong-tsang Tsai

中英文“茶学术语”Chinese-English Tea Studies Terminology

蔡荣章Rong-tsang Tsai 编著Editor

(2010.02 台北陆羽茶艺股份有限公司 ISBN978-957-9690-06-5)

第七章-茶具名称与功能 Chapter Seven-Tea Ware Types and Functionality

7.1.茶器tea ware

7.2.主泡器principle brewing ware

7.3.辅泡器auxiliary brewing ware

7.4.备水器water ware

7.5.储茶器tea container ware

7.6.泡茶席tea setting

茶器tea ware可大别为四大种类:”主泡器principle brewing ware”、”辅泡器auxiliary brewing ware”、”备水器water ware”、”储茶器tea container ware”。机能性地摆设在”泡茶席tea setting”上。

7.7.冲泡器brew ware

7.8.浸泡器steep ware

7.9.调搅器whisk ware

7.10.搅动式调搅器whisking mix ware

7.11.摇荡式调搅器shaking mix ware

泡茶用的”冲泡器 brew ware “分为原形茶的”浸泡器 steep ware “与粉末茶的”调搅器 whisk ware “。调搅器又分为”搅动式调搅器 whisk type ware “与”摇荡式调搅器 shake type ware”。

7.12.壶式浸泡器pot steep ware

7.13.杯式浸泡器cup steep ware

7.14.碗式浸泡器bowl steep ware

7.15.桶式浸泡器vat steep ware

浸泡器又分为”壶式浸泡器 pot steep ware “、”杯式浸泡器 cup steep ware “、”碗式浸泡器 bowl steep ware “与”桶式浸泡器 vat steep ware “。

7.16.茶杯teacup

7.17.同心杯infuser cup

7.18.个人品茗组personal tea set

7.19.茶壶teapot

7.20.壶垫tea pad

7.21.茶船tea boat

7.22.茶盅tea pitcher

7.23.盖置lid saucer

7.24.奉茶盘tea serving tray

7.25.茶杯teacup

7.26.杯托cup saucer

7.27.冲泡盅brewing vessel

7.28.盖碗cover bowl

7.29.茶碗tea bowl

7.30.有流茶碗spout bowl

7.31.奉茶小盖杯small lidded cup

主泡器principle brewing ware”包括上述诸多茶器。

7.32.渣匙tea spoon

7.33.茶筅tea whisk

7.34.茶巾盘tea towel tray

7.35.茶荷tea holder

7.36.茶巾tea towel

7.37.茶拂tea brush

7.38.定时器timer

辅泡器auxiliary brewing ware”包括上述各种茶器。

7.39.煮水器heating water ware

7.40.煮水器底座heating base

7.41.煮水water kettle

7.42.水盂tea basin

7.43.热水瓶thermos

备水器water ware包括上述各种茶器。

7.44.茶罐tea canister

7.45.茶瓮tea urn

储茶器tea container ware”包括在茶席上使用的大小茶罐tea canister与大茶瓮tea urn

7.46.坐垫seat cushion

7.47.茶具袋tea ware bag

7.48.地衣ground pad

旅行用茶器tea ware  “包括上述这些茶具。

7.49.茶车tea cart

7.50.泡茶盘tea brewing tray

7.51.茶桌tea table

7.52.侧柜side table

以上这些大件茶器都是展示或收藏茶具的设备。

7.53.壶盖teapot lid

8.54.压盖set lid

8.55.嵌盖inset lid

7.56.气孔air vent

7.57.盖纽lid knob

7.58.盖延lid insert

7.59.堰圈lid gallery  (容纳嵌盖的凹槽 )

“壶盖teapot lid”分成”压盖set lid”与”嵌盖inset lid”。壶盖上有”气孔air vent”,提取壶盖的地方叫”盖纽lid knob”,壶盖伸入壶内的部位叫”盖延lid insert”,容纳嵌盖的凹槽叫”堰圈lid gallery”。

7.60.壶口teapot opening

7.61.壶嘴spout opening

一把壶,冲水的地方叫”壶口teapot opening”,倒出水来的地方叫”壶嘴spout opening”。

7.62.壶流spout

7.63.水孔teapot drain

7.64.单孔hole drain

7.65.网孔mesh drain

7.66.蜂巢ball drain

7.67.滤网flat strainer

连接壶身与壶嘴的部位叫”壶流spout”,壶流与壶身相接的地方一定有”水孔teapot drain”。水孔有多种型式,如”单孔hole drain”、”网孔mesh drain”、”蜂巢ball drain”。遇到单孔式的水孔,可在水孔上加装一片”滤网flat strainer”。

7.68.平面滤网flat strainer

7.69.球型滤网ball strainer

不论是壶上本身或是外加的滤网flat strainer  “,都可分成平面滤网flat strainer 与球型滤网ball strainer

7.70.壶颈teapot neck

7.71.壶肩teapot shoulder

7.72.壶腹teapot body

7.73.壶底teapot bottom

壶身可有”壶颈teapot neck”、”壶肩teapot shoulder”、”壶腹teapot body”、”壶底teapot bottom”这几个部位。

7.74.圈足footring

7.75.壶足pot foot

7.76.底着flat bottom

壶底如果没有”圈足footed tea pot”或”壶足Three-legged tea pot”而直接以底部站立,这样的壶底叫做”底着flat bottom”。

7.77.杯形cup shape

7.78.深度cup depth

7.79.杯色cup color

“茶杯 teacup “影响到”茶汤欣赏”的因素有”杯形cup shape”、”深度cup depth”与”杯色cup color”。

7.80.纯白pure-white

7.81.月白moon-white

7.82.牙白ivory-white

茶杯内侧的颜色若为”纯白pure-white”,较能正确显现茶汤的颜色;若是偏青的”月白moon-white”,会加重茶汤青绿的视觉;若是偏黄的”牙白ivory-white”,会加重茶汤黄红的视觉。

7.83.断水non-drip

7.84.滤渣strain

7.85.好提easy to grip

“断水non-drip”、”滤渣strain”、”好提easy to grip”是茶壶很重要的三大基本功能。

7.86.内胆inside infuser

使用含”内胆infuser”的冲泡器是将茶汤与茶叶分离的方法之一。

7.87.吸水率water absorption rate

陶磁器的”吸水率water absorption rate”很重要,吸水率太高的冲泡器不宜使用。

7.88.壶的保温能力teapot heat preservation capacity

壶之影响泡茶的效果在于”壶的保温能力”  teapot heat preservation capacity “,即壶的”散热速度heat dissipation rate”。”密度高high density”者、”胎身薄thin body”者散热速度快,即所谓之”保温效果heat preservation effect”差;”密度低low density”者、”胎身厚thick body”者散热速度慢,即所谓之保温效果好。

7.89.材质material

7.90.土色clay color

7.91.釉色glaze color

7.92.形状shape

壶具因”材质material”、”土色clay color”、”釉色glaze color”、”形状shape”、造成各种不同的感受与泡茶效果。

7.93.壶把teapot handle

7.94.侧提壶back handle pot

7.95.横把壶side handle pot

7.96.飞天壶wing handle pot

7.97.提梁壶top handle pot

从”壶把teapot handle”的形式,可将壶分成”侧提壶back handle pot”、”横把壶side handle pot”、”飞天壶wing handle pot”与”提梁壶top handle pot”四大类。

7.98.圈顶式茶盅round wing tea pitcher

“圈顶式茶盅round wing tea pitcher”的拿法是从盅的圈顶拿取。

7.99.养壶teapot nurturing

将壶细心照顾、保养,称为”养壶teapot nurturing”。

7.100.壶艺Teapot Arts

以壶为主的茶器已形成一门独立的学科,称为”壶艺Teapot Arts”,有的学校开设有”茶陶”专业。

 

*说明  : 将茶学专用术语整理、翻译及审定,是当前在学校或国际间推动茶文化工作时很重要的茶学材料。我们只是逐步完成初学茶道者所应用的部分,尚需继续完备。此书 于2005年初开始收编茶学术语,进行整理、修编、审定以及翻译工作,编著:蔡荣章,英文翻译:Steven R.Jones, 校勘:蔡晓晓,于201002出版发行。Editor:Rong-tsang Tsai , English Translator:Steven R.Jones

 

 

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茶席风格的表现-蔡荣章

茶席1风格的表现 On the Style of Tea Presentation Setting 1

蔡荣章-Rong-tsang Tsai

(2001.01《茶艺》月刊社论Published in “Tea Art”monthly magazine)

泡茶表演的时候是不是一定要穿中式服装、奏中式音乐?茶艺馆是不是要装潢成中式的建筑模样?这些问题在茶道教室内经常被提及。我们推动的是现代的茶文化,现代的「中式」也没有一定的规范,而且我们希望茶道走入世界,因此更不应该有任何地域与族群的色彩。所以我们接受以现代的手法来表现茶道。

在规划茶艺展的时候,也会有茶友2提出茶席设计的问题:一定要是中国传统式的风格吗?还是可以用现代感的方式表现?他所说的中国传统式大概是指传统式的室内装潢与家具,以及插花3、焚香4、挂画5等的结合吧。我们的回答是:不一定,可以用很现代化的手法,甚至于超现实主义的风格,也不一定要有所谓插花、挂画、焚香、点茶6四艺7的结合;司茶者、与会人员也不一定非穿中国式服装不可。问题的重心只在于茶席是否能有自我圆满的风格表现,而且力求高强度的艺术性。当然抓住所要上演的茶叶特性是很重要的,你总不可以弃置「主人」(茶)于一旁而只顾表现你的空间设计工夫;人的服装与举止这时也要在同一「作品」之下求得协调。

只要达成所设定的茶席风格及艺术层次即可,没有非中国传统装潢不可,非配中国传统书画与中国传统插花形式不可,只要运用得宜,古今中外的交互应用是被允许的。但是站在艺术、文化、历史的角度来看,我们不希望只是以现成(含古老)的器物与形式加以组合,而是鼓励全新的设计与创作。虽然说「组合」也是再一次地创作,但总没有重新设计来得有「历史文化的增添性」。

以此推论,你也会想到「泡茶方式不拘」,只要舞台与演员、戏码搭配得起来即可。但「把茶泡好」8是基本的原则,不能「只要有气氛」,「随兴」就好;空间的设计也不能毫无主题的强行堆砌。美好的、艺术性高的才是茶者9应该追求的目标。

以下为文內之编码Coding in the text:

茶席1  Tea Presentation Setting 1

茶友2 tea drinker 2

插花3 flower arrangement 3

焚香4 burning of incense 4

挂画5 hanging scrolls 5

点茶6 tea brewing6

四艺7 four arts of living7

「把茶泡好」8 Brewing a good pot 8

茶者9 tea aficionados 9

说明:

茶的“美”、茶的“性” 、茶的“境”是认识茶、享受茶的重要途径,但这部分不容易表述。有关茶道思想方面的文章,无论那种语文,都颇缺乏,现在我们试着用华文描述,再请专人译成 英文,使我们想要表达的尽量以其原始面貌呈现,让各地的读者能一起共享喝茶的乐趣。我们也认为这是当代很重要的茶文化推广工作。本茶道术语翻译及审定工作 始于2010.01月,一直持续进行中。英文翻译:Katharine Yip。(文內之编码系方便中英对照之茶道术语)

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On the Style of Tea Presentation Setting-Rong-tsang Tsai

茶席1风格的表现 On the Style of Tea Presentation Setting 1

蔡荣章-Rong-tsang Tsai

(2001.01《茶艺》月刊社论Published in “Tea Art”monthly magazine)

Is Chinese costume and Chinese music indispensable in a tea brewing demonstration? Is Chinese interior décor the norm for dressing up tea houses? These are some of the most frequently asked questions during our lectures on the Way of Tea. If modern tea culture is what we are promoting, then there is no standardization pertaining to the modern Chinese style. It is, instead, our wish to introduce the Way of Tea to the world. For this matter, geographic and ethnic flavours are not prerequisites. As such, we accept a modern approach to promoting the Way of Tea.

A fellow tea drinker 2 once raised the issue about tea presentation setting when we were planning a tea art exhibition: Are we to follow traditional Chinese style? Or do we have the freedom to use a modern way of presenting? What he meant by ‘traditional Chinese style’ would probably include typical Chinese interior décor and furniture, together with flower arrangement 3, burning of incense 4 and hanging scrolls 5, among others. Our answer to this is, it is not necessary. There is nothing to stop us from using a modern, even surreal, approach. The combination of the four arts of living7– namely flower arrangement, painting hanging, incense burning and tea brewing6 – are not something down in the rule book. Chinese costume, be it for the tea servers or team members of the organizer, is not compulsory. The most important point is, the tea presentation setting must have a self-fulfilled style, and attain a high level of artistic accomplishment. Of course, one has to fully understand the characteristics of the tea leaves to be presented. Tea is the protagonist in this and it will not be right if we just show off our skill in dressing up the space without paying attention to the tea. For that matter, costume and demeanor will have to be in harmony with the presentation.

There is no fixed rule about pairing –Chinese décor does not necessary call for Chinese paintings and calligraphy, or Chinese-style flower arrangement. The aim is to successfully create the style and reach the artistic level desired. Mixing and matching of styles that transcends temporal boundaries and geographic divides is acceptable, so long as it is done is an appropriate manner. However, from the artistic, cultural and historical points of view, we would like more than a combination of existing (including old and new) objects and style, and encourage brand new design and creation. Although the setting is supposed to be a unique combination, which in itself is a form of creation, it does not ‘add to our historical and cultural values’ the way a new design does.

By the same token, there is no restriction as to the method of brewing. As in a drama production, the perfect match of the stage setting, cast and script is the formula to success. Brewing a good pot 8 is the basic principle – we cannot simply put ambience on top of everything else, or leave everything to whims and fancies. As far as the space is concerned, the design must have a theme to hold everything together. What tea aficionados 9 are after is something beautiful and artistically-appreciated.

以下为文內之编码Coding in the text:

茶席1  Tea Presentation Setting 1

茶友2 tea drinker 2

插花3 flower arrangement 3

焚香4 burning of incense 4

挂画5 hanging scrolls 5

点茶6 tea brewing6

四艺7 four arts of living7

「把茶泡好」8 Brewing a good pot 8

茶者9 tea aficionados 9

Introduction:

The aesthetics, character and the state of mind created are not to be undermined in the understanding and enjoyment of tea; and yet, they are the hardest to express.  Writings on the thoughts pertaining to tea, regardless of languages used, remain scarce.   We have attempted to express them in Chinese, with accompanying English translation(Translator:Katherine Yip.2010.01), to elaborate our thoughts as they are. What we want is to share the knowledge of tea alongside tea drinking.  This is, in our opinion, an important contemporary task in promoting the tea culture (Coding in the text is for cross-referencing of the academic terms of tea).

 

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「茶道流派」的争议-蔡荣章

「茶道流派」的争议Controversy about the Schools pertaining to the Way of Tea

蔡荣章-Rong-tsang Tsai

(2002.02《茶艺》月刊社论Published in “Tea Art”monthly magazine)

中国有没有「茶道1」?有没有茶道流派2?这是最常被问起的话题之一。所以现在我们来谈谈何谓茶道流派?茶道流派如何产生?艺术上的所谓古典主义、印象派、立体派、超现实主义等是由艺术家或学者取得名称后才开始的,还是先有作品与思想,随后才定的称呼呢?

台湾的中华茶联在2001年的年会活动上举办了一场茶道流派展,邀请了十五个「流派」一起展示他们的泡茶、品茗方式。这是一场很有意思、引发很多联想、带动很多议题的事件。

首先是「怎样才可以称为流派?」有两个简答法;一是自己认为是「流派」就是流派,只要取个名称即可,(别人认不认可是另外一回事),二是必须要有一些条件,如有完整且独立的茶道思想与做法,(别人认不认可也是另外一回事)。

其次是「需要社会的认可吗?」有人认为一个茶道流派的成立必须要有别人的认可,也就是要有一定数量的人跟随它的理念与方式,否则只是个人或单位订个名称就成,那不太草率了?但有人认为流派之成立是一回事,大家认不认可又是另一回事,成立就让它成立,慢慢地再由时间与众人的智慧来评判,太快下断语也有危险。

再者是「流派如何产生?」是自己取个名称,标示出是「流派」即可?还是要历经时代的考验,有一定群众基础者?还是由某一个公众团体甄选产生?我们认为自主性的成立与自然形成皆可,前者的方式可以培养良好的生长环境,后者的方式是已看到长成与茁壮后才加以追认。

还有的问题是「要不要鼓励流派的产生?」我们的答案是赞成。因为那也是茶文化蓬勃发展的现象之一,只是不要为流派而流派,应该要有充分的思想与理论基础,自然形成了独特的风格。即使原先并无形成流派的打算,只是风格自然形成,我们也承认它是流派。甚至于我们要说,流派的产生应该是循此途径才健康,历史上所谓的「印象派」、「立体派」,都不是艺术家先定下「名称」而达成的。

以下为文內之编码Coding in the text:

茶道1 Way of Tea 1

流派2 schools 2

说明:

茶的“美”、茶的“性” 、茶的“境”是认识茶、享受茶的重要途径,但这部分不容易表述。有关茶道思想方面的文章,无论那种语文,都颇缺乏,现在我们试着用华文描述,再请专人译成 英文,使我们想要表达的尽量以其原始面貌呈现,让各地的读者能一起共享喝茶的乐趣。我们也认为这是当代很重要的茶文化推广工作。本茶道术语翻译及审定工作 始于2010.01月,一直持续进行中。英文翻译:Katharine Yip。(文內之编码系方便中英对照之茶道术语)

 

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第六章-陶瓷艺术 Chapter Six-Ceramics Arts-蔡荣章Rong-tsang Tsai

中英文茶学术语”Chinese-English Tea Studies Terminology

蔡荣章Rong-tsang Tsai 编著Editor

2010.02 台北陆羽茶艺股份有限公司 ISBN978-957-9690-06-5

第六章-陶瓷艺术 Chapter Six-Ceramics Arts

6.1.陶瓷艺术家Ceramic Artist Potter”

以陶瓷为媒介的艺术家称为陶瓷艺术家Ceramic Artist 。

6.2.茶陶tea pottery

以茶具为主的陶瓷称为”茶陶” tea pottery”。

6.3.陶瓷ceramic

6.4.瓷porcelain

6.5.炻stoneware

6.6.陶earthenware

6.7.瓷化vitrification

6.8.瓷器  china ware (china)

“陶瓷ceramic”器因胎土烧结程度的不同,从高到低分成”瓷porcelain”、”炻stoneware”、”陶earthenware”三大类。瓷器烧结程度最高,这种烧结的现象又被称作” 瓷化vitrification”。早期的瓷器被称为china ware。-

6.9.泥料clay body

6.10.泥料陈化clay aging

6.11.陈泥aged clay

6.12.可塑性plasticity

将”泥料” clay body  “陈放一段长时间,如数年甚或数十年,称为”泥料陈化clay aging” ,陈化后的泥料称为”陈泥aged clay”。它在成形时的”可塑性plasticity”会增加,烧成的作品,其胎土的光泽度比较好。

6.13.紫砂泥sandy clay

6.14.紫砂purple sandy clay

6.15.朱泥red sandy clay

6.16.缎泥  段泥 ” beige sandy clay

陶瓷器的”泥料clay body”中有一类含较粗粒子的色土颇受人们喜爱,称为”紫砂泥sandy clay”。此类泥料还因烧成后的颜色分为”紫砂purple sandy clay”、”朱泥red sandy clay” 与”缎泥beige sandy clay”。

6.17.泥浆slip

6.18.泥块clay lump

6.19.泥粉clay powder

注浆成形法所使用的泥料是”泥浆slip” ,拉坯成形法与泥片成形法所使用的泥料是”泥块clay lump” ,压铸成形法所使用的泥料是较干的泥块或”泥粉clay powder”。

6.20.泥矿clay ore

陶瓷器所使用的泥料是从地表或地底深处挖出来的”泥矿clay ore”精炼而成。

6.21.真空练泥de-air clay kneading

泥料开始制作器物前,要将土中的空气排除,以免烧窑时造成汽爆。有种叫”真空练泥de-air clay kneading”的机器。

6.22.成形forming

6.23.土坯whitehard body

6.24.阴干air drying

6.25干坯whitehard body

6.26.窑kiln

泥料成形forming以后称为土坯body,阴干以后称为干坯whitehard body,可以入窑 kiln”烧制。

6.27.手捏成形法pinch method

6.28.注浆成形法slip-casting method

6.29.拉坯成形法hand throwing method

6.30.车坯成形法jiggering method

6.31.泥片成形法slab method

6.32.压铸成形法dry pressing method

6.33.拍身筒paddle method

6.34.镶身筒lute method

陶瓷器的成形方法有”手捏成形法pinch method”、”注浆成形法slip-casting method”、”拉坯成形法hand throwing method”、”车坯成形法jiggering method”、”泥片成形法slab method”、”压铸成形法dry pressing method”等。

泥片成形时,在中国宜兴地方常使用”拍身筒paddle method”与”镶身筒lute method”的方法。

6.35.高压注浆成形法pressure slip-casting method

注浆成形时,为使泥浆灌注到狭窄的边缘,常使用的方法是”高压注浆成形法pressure slip-casting method”。

6.36.釉glaze

6.37.上釉glazing

陶瓷器可在”胎土body”上施以一层”釉glaze” ,这道工序称为”上釉glazing”。

6.38.彩绘painting

6.39.雕刻engraving

陶瓷器可以在土坯上或素烧坯上加以”彩绘painting”、”雕刻engraving”等装饰。

6.40.透明釉transparent glaze

6.41.釉下彩绘underglaze painting

6.42.釉下彩underglaze

直接在土坯上彩绘,再覆上一层”透明釉transparent glaze” ,称为”釉下彩绘underglaze painting” ,或称为釉下彩underglaze  “。

6.43.釉上彩绘overglaze painting

6.44.釉上彩overglaze

6.45.彩烧decorating firing

上釉后将器物烧成,然后出窑,在釉的上面再行彩绘,称为”釉上彩绘overglaze painting” 或釉上彩overglaze   “,绘后当再进窑烧一次,称为彩烧decorating firing。

6.46.青瓷釉celadon glaze

6.47.青瓷celadon

有种能与瓷土一起高温烧成的青色釉称为”青瓷釉celadon glaze” ,施有这种釉药的瓷器也就被称作”青瓷celadon”。

6.48.青花彩绘underglaze blue decoration

6.49.青花underglaze blue

在胎土上绘上一种能与胎土一起高温烧成的蓝色系釉药,然后再覆盖上一层”透明釉” transparent glaze  “,一起进窑烧炼,这种彩绘称为”青花彩绘underglaze blue decoration” ,这种作品称为”青花underglaze blue”。

6.50.黑釉black glaze

6.51.天目釉Tienmu glaze  (Tenmoku glaze)

在胎土上施以一层”黑釉black glaze” ,这层黑釉经常起很多色彩上的变化。也被称为”天目釉tienmu glaze”。

6.52.祭红altar red glaze

6.53.铜红copper red glaze

6.54.窑变釉kiln altered glaze

6.55.钧窑釉Jun kiln glaze

大部分自然矿石调配成的釉药,烧成后都会起色彩上的变化,如红色系列的”祭红altar red glaze”、”铜红copper red glaze”。如果这种变化较为特殊,而且足以形成一种特殊的釉系,就被称为”窑变釉kiln altered glaze” ,如”钧窑釉Jun kiln glaze”。

6.56.结晶釉crystalline glaze

6.57.茶叶末tea-dust glaze

有些釉在烧制过程中会有结晶的现象,这种釉就被称为”结晶釉crystalline glaze”。如”茶叶末tea-dust glaze”就常是这种表现法。

6.58.娇黄釉tender yellow glaze

有种黄色釉表现得娇滴滴的感觉,而被称为”娇黄釉tender yellow glaze”。

6.59.开片釉crazed glaze

6.60.冰裂纹ice crackle

6.61.雪花snowflake crackle

有些釉在烧成后会陆续产生裂纹,但仅限于釉层,而且裂纹的形态也可在生产者的特意安排下产生如”冰裂纹ice crackle”、”雪花纹snowflake crackle”等的效果。这种烧制过程产生有趣裂纹的釉称为”开片釉crazed glaze”。

6.62.壶铭pot inscription

有些陶瓷器皿会在胎身上刻或写上有关的字句以为纪念或作为提示,这些有意义字句称为”壶铭pot inscription”。

6.63.素烧bisque firing

6.64.本烧final firing

陶瓷器在烧窑时可用低温预烧一次,以便胎身的修整加工,这样的预烧称为”素烧bisque firing”。然后再度进窑烧成,称为”本烧final firing”。当然也可以从土坯直接进行本烧。

6.65.烧结程度sintering degree

壶具之影响泡茶效果最主要的因素是胎土的”烧结程度sintering degree”,烧结程度愈高,壶身的”散热速度heat dissipation rate”就愈快,泡出茶汤的香味就愈高频。烧结程度愈低,壶身的”散热速度”就愈慢,泡出茶汤的香味就愈低频。

6.66.烧成温度firing temperature

6.67.高温烧结high temperature sintering

“烧成温度firing temperature”与烧结程度没有相对应的关系、但”高温烧结high temperature sintering”的陶瓷器是比较耐用的。

6.68.烧结温度sintering temperature

每一种泥料的最佳”烧结温度sintering temperature”是不一样的,在高温之下烧结的陶瓷器即为”高温烧结high temperature sintering”。

6.69.吸水率absorptivity

6.70.渗水permeate

烧结程度低的壶,如果又没上釉,胎土的”吸水率absorptivity”往往是比较高的,高到一定程度,就会”渗水permeate”而无法作为盛水的容器。

6.71.瓦斯窑gas kiln

6.72.柴窑wood kiln

6.73.电窑electric kiln

烧制陶瓷器的窑,因使用的燃料分成”瓦斯窑gas kiln”、”柴窑wood kiln”、”电窑electric kiln”等。

6.74.氧化焰oxidizing flame

6.75.氧化烧oxidation firing

烧窑时的火焰,若充分供给氧气,就称为”氧化焰oxidizing flame”,这样的烧窑法就称为”氧化烧oxidation firing”。

6.76.还原焰reducing flame

6.77.还原烧reduction firing

烧窑时的火焰,若设法使其缺氧,就称为”还原焰reducing flame”,这样的烧窑法就称为”还原烧reduction firing”。

6.78.收缩率shrinkage rate

6.79.变形deformation

陶瓷器从土坯到烧成,有或多或少的”收缩率shrinkage rate”,这极易造成陶瓷器在烧制时的”变形deformation”。

6.80.宜兴(江苏)Yixing (Jiangsu)

6.81.景德镇(江西)Jingdezhen (Jiangxi)

6.82.莺歌(台湾)Yingge (Taiwan)

6.83.陶都pottery capital

6.84.瓷都porcelain capital

中国江苏的”宜兴Yixing”是生产紫砂茶具、江西的”景德镇Jingdezhen”是生产瓷质茶具的著名”陶都pottery capital”与”瓷都porcelain capital”。台湾的”莺歌Yingge”则两样都生产。

 

*说明  : 将茶学专用术语整理、翻译及审定,是当前在学校或国际间推动茶文化工作时很重要的茶学材料。我们只是逐步完成初学茶道者所应用的部分,尚需继续完备。此书 于2005年初开始收编茶学术语,进行整理、修编、审定以及翻译工作,编著:蔡荣章,英文翻译:Steven R.Jones, 校勘:蔡晓晓,于201002出版发行。Editor:Rong-tsang Tsai , English Translator:Steven R.Jones

 

 

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第五章-十大泡茶法 Chapter Five-The Ten Tea Methods-蔡荣章Rong-tsang Tsai

中英文茶学术语”Chinese-English Tea Studies Terminology

蔡荣章Rong-tsang Tsai 编著Editor

2010.02台北陆羽茶艺股份有限公司 ISBN978-957-9690-06-5

第五章-十大泡茶法 Chapter Five-The Ten Tea Methods

5.1.十大茶法The Ten Tea Methods:

5.2.小壶茶法Small Pot Tea Methodology

5.3.盖碗茶法Cover Bowl Tea Method

5.4.抹茶法Whisking Tea Method

5.5.浓缩茶法Concentrated Tea Method

5.6.大桶茶法Large Capacity Tea Method

5.7.含叶茶法Nonstrained Tea Method

5.8.旅行茶法Travel Tea Method

5.9.冷泡茶法Cold Tea Method

5.10.泡沬茶法Foam Tea Method

5.11.煮茶法Boiling Tea Method

 

日常应用的泡茶法不外上列十项,称为”十大茶法” The Ten Tea Methods”

 

5.12.陆羽小壶茶法24则Lu-Yu Small Pot Tea Laws: (24 Rules)

5.13.备具Prepare tea ware

5.14.从静态到动态from still to ready position

5.15.备水prepare water

5.16.温壶warm pot

5.17.备茶prepare tea

5.18.识茶recognize tea

5.19.赏茶appreciate tea

5.20.温盅warm pitcher

5.21.置茶put in tea

5.22.闻香smell fragrance

5.23.冲第一道茶first infusion

5.24.计时timing

5.25.烫杯warm cups

5.26.倒茶pour tea

5.27.备杯prepare cups

5.28.分茶divide tea

5.29.端杯奉茶serve tea by cups

5.30.冲第二道茶second infusion

5.31.持盅奉茶serve tea by pitcher

5.32.茶食供应或品泉supply snacks or water

5.33.去渣take out brewed leaves

5.34.赏叶底appreciate leaves

5.35.涮壶rinse pot

5.36.归位return to seat

5.37.清盅rinse pitcher

5.38.收杯collect cups

 

由陆羽茶艺中心研发的小壶茶法称为”陆羽小壶茶法” ,其操作过程就如上述所列的”陆羽小壶茶法24则” Lu-Yu Small Pot Tea Laws”。

 

5.39.倒茶入荷pour tea into holder

5.40.拨茶入荷guide tea into holder

 

备茶时,紧实的茶使用”倒茶入荷pour tea into holder”的方式,蓬松的茶使用”拨茶入荷guide tea into holder”的方式。

 

5.41.从有法到无法from methodical to free form

 

泡茶是有”法”可以依循的,但慢慢地要”从有法到无法from methodical to free form”。

 

5.42.品泉savor water

5.43.品茶savor tea

 

5.44.空白之美beauty of white space

 

数道茶之间,我们常给客人一杯白开水,称为”品泉appreciate water” ,是茶道”空白之美beauty of white space”的应用。

 

5.45.司茶tea brewer

5.46.助手brewer assistant

 

在茶席上主持泡茶的人称为”司茶tea brewer” 。正式的茶会或人多的场合,可以搭配一位”助手brewer assistant”。

 

5.47.递壶法pot passing manner

 

将壶递给对方时,应将壶把置于对方的右手边,这是”递壶法pot passing manner”所要谈论的。

 

5.48.温润泡pre-brew

 

有些人泡茶时第一次冲水后很快就倒掉,称为”温润泡pre-brew” ,接着再冲水,才是第一道茶。温润泡是可以省略的,免得损失茶的成分。

 

5.49.平均分茶法equal liquid division

 

直接从泡茶的壶将茶汤分倒到数个杯子时,要使用”平均分茶法equal division”才能将茶汤的浓度分倒平均。

 

5.50.奉茶serve tea

5.51.请喝茶please have some tea

 

若是端杯”奉茶serve tea” ,要先说:”请喝茶please have some tea”。若是持盅奉茶,则先斟过茶再说:”请喝茶”。

 

5.52.冷泡法cold brewing

 

泡茶也可以使用冷水、称为「冷泡法」 cold brewing “。

 

5.53.功夫茶Gongfu Tea

 

功夫茶Gongfu Tea是流行于中国南方的一种小壺茶法。

 

5.54.持壶法teapot grip styles

5.55.单手提把点纽one hand pinch handle and touch knob grip

5.56.双手提把点纽two hand pinch handle and touch knob grip

5.57.双手穿把点纽two hand grasp handle and touch knob grip

5.58.飞天壶持壶法wing handle grip

 

“持壶法teapot grip styles”分为”单手提把点纽one hand pinch handle and touch knob grip”、”双手提把点纽two hand pinch handle and touch knob grip”、”双手穿把点纽two hand grasp handle and touch knob grip”与”飞天壶持壶法wing handle grip”多种。

 

5.59.提壶pot moving

5.60.持壶pot grips

 

“提壶pot moving manner”是在操作台上,将壶从甲地如茶船上”移到乙地如茶巾上”的手法;”持壶pot gripping manner”则是拿起壶来倒茶或倒水的手法。

 

5.61.泡沫茶foam tea (bubble tea)

5.62.泡沫红茶 foam black tea

 

“泡沫茶 foam tea “是调制后起泡沫的茶,”抹茶 fine powder tea”

是调制茶粉使成汤状的茶。”泡沫红茶 foam black tea “是属前者。

 

5.63.有效控制茶汤浓度的泡茶法

 

浓缩茶法concentrated brew method”、”大桶茶法large capacity brew method”与”含叶茶法non-strained brew method”都是有效控制茶汤浓度的泡茶法。

 

5.64.单次浸泡single brewing

5.65.多次浸泡multiple brewing

 

泡茶时之”浸泡时间”可有”单次浸泡 single brew “与”多次浸泡 multiple brew “之分。

 

0.00.小壶茶法Small Pot Tea Method

5.66.叶型茶leaf tea

5.67.粉末茶powder tea

 

“小壶茶法Small Pot Tea Methodology”是以小型壶具冲泡”叶型茶leaf tea”【非”末茶powder tea”】的方法与品饮方式。

 

5.68.点茶 whisking tea

5.69.泡茶 brewing tea

 

茶法的演进是先流行”点茶 whisking tea ” ,然后才流行”泡茶 brewing tea “。

 

5.70.摇荡式shaking style

5.71.搅动式whisking style

5.72.互冲式pulling style

 

“摇荡式 shaking style “、”搅动式 whisking style “与”互冲式 pulling style “是泡沫茶的三种造沫方法。

 

5.73.水可溶物充分溶解 water TDS dissolved completely

 

含叶茶法是控制在”水可溶物充分溶解 water TDS dissolved completely “后,茶汤恰是可口的浓度。

 

5.74.泡茶师tea master

5.75.泡茶师检定考试Tea Master Certification Exam

 

泡茶师 tea master  “制度在强调泡茶能力的重要性,陆羽茶艺中心等单位每年都定期举办”泡茶师检定考试 Tea Master Certification Exam”。

*说明  : 将茶学专用术语整理、翻译及审定,是当前在学校或国际间推动茶文化工作时很重要的茶学材料。我们只是逐步完成初学茶道者所应用的部分,尚需继续完备。此书 于2005年初开始收编茶学术语,进行整理、修编、审定以及翻译工作,编著:蔡荣章,英文翻译:Steven R.Jones, 校勘:蔡晓晓,于201002出版发行。Editor:Rong-tsang Tsai , English Translator:Steven R.Jones (5096)

Sans Self Tea Gathering: The Basic Model无我茶会基本架构-Rong-tsang Tsai蔡荣章

无我茶会基本架构 Sans Self Tea Gathering: The Basic Model

蔡荣章-Rong-tsang Tsai

(《无我茶会180条》1999.9第一版,2010.9第二版)

(“Sans Self Tea Gathering 180,” First edition: 1999.9, Second edition: 2010.9)

Sans Self Tea Gathering 1 is a form of tea gathering that requires participants to bring along their own tea wares. Sitting in a circle, each participant is to brew four cups of tea, three of which will be offered to fellow tea drinkers on the right or left, saving the remaining to oneself.  As such, each person will be drinking four cups of tea. After the agreed rounds of brewing, everyone will pack up – this is when the ceremony comes to an end.

Seats will be determined by random drawing upon arrival. Each participant would have known the procedure and the way the ceremony is to be conducted, having received notification 2 from the organizer beforehand. There is no event director or master of ceremonies during the congregation – everything will follow the pre-agreed arrangement. Quietly, each participant brews tea; there is no restriction as to the school or regional practices imposed on the style of the equipage and brewing technique.

After the last round of tea is taken, the organizer has the option of arranging a 5-minute session of music appreciation, to let the flavor settle in, or induce reflection on the tea ceremony. Other activities can also be arranged when the tea ceremony is over.

Such is the basic model of aSans Self Tea Gathering. Here is a summary of the above:

1      Sitting in circle, everyone brews, serves and drinks tea.

2      Seats are determined by random drawing.

3      Tea is to be served to the person sitting next to you (on the left or right, in one direction).

4      Tea wares, tea leaves and water for brewing are to be brought along by the participants.

5   Number of cups and brewing, and the way to serve tea is agreed upon beforehand; the event flow is also pre-determined.

6   No talking is allowed throughout the ceremony.

Why is Sans Self Tea Gathering conducted in such an unusual way? In essence, it represents the seven principles 3 the ceremony embraces:

A.  Seats determined by random drawing – an absence of hierarchy 4

Before the ceremony begins, participants will have to take a seat. Each of them has to draw a number and be seated accordingly. There is no pre-determined seating; no one knows whom will they be seating next to, and serving tea to, until they are seated. There is no hierarchical differentiation and no difficulty in finding a seat – just the way we were born. Don’t you think things will be made difficult if we can choose the family to born into?

The same goes with tea gatherings for parents and their children.  The nature of random drawing is as such that children may not be serving tea to their own parents, and parents may not be offering tea to their own children. This is perhaps the perfect picture of the famous saying: “Respect the elderly as you would your parents, care for the young as you would your children”.

B.    Tea offered in one direction – no action of reciprocity is expected 5

When the tea is brewed, it is offered to the next person(s) in the same direction. If the number of cups agreed for the day is four, and three of them will be offered to fellow tea drinkers on the  left and the last one for oneself, it will be done exactly that way.

Tea is offered in cups during the first round; whereas, tea brewed during the second round will be poured into tea pitcher 6, which will then be poured into the cups you have offered. This means that person(s) being offered will be able to enjoy several rounds of your brew.

Alternative arrangements can be made. For example, one may be serving tea to the second, fourth and sixth fellow tea drinkers on the right, or the fifth, tenth and fifteenth fellow tea drinkers on the left, as long as the arrangement is made known before the ceremony begins. In sizable tea gatherings, the reach of tea serving can be extended.

A uni-directional flow of tea serving realizes the spirit of “expecting no reciprocity” – to put it simply, it is the appreciation of “doing something for nothing”, when a person doesn’t expect to be offered tea in return when he offers his. “Serving tea” is a laudable act in the Way of Tea 7. The experience is made even purer if we don’t have to worry about reciprocating.

For the sight-challenged, a person may serve tea to a fellow drinker on each side, while reserving one himself – this will save them the inconvenience of moving around to offer tea. In this circumstance, the spirit of mutual-help takes the place of reciprocity.

C.     Accepting and appreciating tea of all kinds – setting aside personal preferences 8

Each attendant of the Sans Self Tea Gathering will have to bring along their own tea. As highlighted in the notification, any type of tea is welcome. This way, a participant may get to sample a different tea in each cup offered. As advocated by the Way of Tea, a person is to accept and appreciate tea without letting personal preferences get in the way. As it goes, preference rules out things you don’t like, which could be something intrinsically wonderful. By rejecting, we could be depriving ourselves of the blessings in life. What Sans Self Tea Gathering reminds us is exactly this – we have to set aside personal likes and dislikes in order to develop amicable relationships and cultivate goodwill, wherever we go.

From green tea, oolong tea to black tea, each has its unique color, aroma and taste. As tea drinkers, it is important for us to brew, present and enjoy each accordingly.

D.    Making an effort to brew well – it is about getting better each time 9

There is no guarantee that each cup is masterfully brewed – chances are that a person will be served tea that is downright bitter and astringent, or bland and tasteless. When this is the case, there could be two types of emotional response: “Who made this? It is awful.” Or “I’ve messed up. Got to be careful.” As far as the Way of Tea goes, the latter attitude is encouraged, for the simple fact that “brewing a good pot”10 is basic. What is there to be explored if we can’t even brew our tea well? This is not unlike the study of music and art. It is pointless to talk about a certain realm induced by music when a person can’t even play the piano well; likewise, a person can’t possibly be elaborating on the use of lines and colours in bringing out a certain artistic mood if he hasn’t mastered the use of brushes. This is why no one is allowed to talk once the Wu-Wo Tea Ceremony begins; there is only one mission – to brew a good pot.

When serving tea at the Sans Self Tea Gathering, we always reserve one for ourselves. This will enable us to assess the brewing, and make quick adjustment to improve during the next round.    A bad brew is a disgrace to ourselves, disservice to the others, and yes, to the tea brewed. Just as our seniors keep reminding us, doing one’s task well is the single most important element in a person’s self-cultivation.

E.     There is no event director or master of ceremonies – everything goes as agreed 11

The Sans Self Tea Gathering goes by pre-determined schedule and pre-agreed arrangement; there is no event director at the venue. If according to the schedule, venue set-up begins at 8.30, participants responsible for placing the seat number tag would be there on the dot. Participants responsible for drawing would have prepared the lots for fellow drinkers who begin arriving at 9, as scheduled. Seats will be taken according to the drawn lots. Participants will then lay out their tea wares, and socialize with fellow tea drinkers and admire others’ equipage. Brewing begins at 9.30, and that’s when everyone goes back to their seats, including those who were busy with drawing for seats a while ago.  Tea will be served according to the agreed way after the first round of brewing. When a person has been offered the agreed number of cups, he may begin drinking. Tea from the second brewing will be served with a tea pitcher, followed by drinking, and so on. When the agreed rounds of serving and drinking have been made, participants may stay in their original places to enjoy music (if it has been arranged), while relishing the unique tea experience. At the end of the music session, participants will wipe clean the tea cups they have used with tea towel 12 or paper towel, and bring along a tea tray 13 to collect their own cups. Participants are not expected to dispose of tea residue. The Tea Ceremony is over when all tea wares have been packed. There is nobody directing or conducting the event flow – nevertheless, it goes like clockwork.

When everything is pre-arranged and pre-agreed, what’s the point of having someone there directing? For regular participants of the Wu-Wo Tea Ceremony, following agreed rules is like second nature.

F.     Observing silence during the Ceremony – appreciating mutual-understanding and the beauty of collective rhythm 14

When the “Tea ware appreciation and Socialization” 15time is up, everyone will stop talking and concentrate on brewing. In the course of brewing, participants will calm down, feel their own existence in this space, and appreciate their oneness with the world around. When tea is served, it is done in peace and silence. As participants offer tea to each other, they seem to have been strung by an invisible silk ribbon that moves rhythmically along with the gentle act of tea serving. In moments like these, words would be superfluous. There is no need for verbal expressions like “thank you” and “have some tea, please” – a slight bow, and a smile, will suffice.

The ideas of “silence” and “mutual-understanding” described here, as well as “the absence of directing” elaborated in the previous section, are pivotal to the success of a Sans Self Tea Gathering – only by keeping intervention to the minimum will it happen in as natural a way as the system of the universe, and the cycle of seasons.

G.    To each his own – there is no restriction as to the school or regional practice in brewing 16

At a Wu-Wo Tea Ceremony, the method of brewing is subject to no restriction, and this applies to differences in tea ware and tea leaves preferred by tea drinkers as influenced by certain schools, styles or regional background. The choice between teapots and lidded cups 17, preference with tea leaves 18or powdered tea 19, and that of the method and style of brewing are not matters of concern.

Regardless of such differences as in equipage, tea leaves, attire, language and places of origin, the Tea Ceremony calls for an effort in brewing a good pot and sharing it with fellow drinkers, be they new or old acquaintances, as determined by random drawing.

You may wonder, if there is no restriction whatsoever as to the tea ware and brewing method, and participants are required to accept and appreciate teas that come their way, does it mean that brewing will become a matter of chance? Make no mistake; Sans Self Tea Gathering does observe the principle of “Making an effort to brew well”. Once you have decided on the tea presentation setting and brewing method, you will have to come up with the best possible setting and brew at the time of the congregation.

Meanwhile, it is true that there is no special requirement as to the attire and protocol; and yet, with the same principle of “getting better each time”, they should be appropriate for the occasion.

以下是中英茶学术语对照:

无我茶会 1 Sans Self Tea Gathering 1

「公告事项」2 notification 2

七大精神 3 seven principles 3

无尊卑之分 4 an absence of hierarchy 4

无报偿之心 5 no action of reciprocity is expected 5

茶盅 6 tea pitcher 6

茶道 7 Way of Tea 7

无好恶之心 8 setting aside personal preferences 8

求精进之心 9 it is about getting better each time 9

「泡好茶」10 brewing a good pot10

遵守公共约定 11 everything goes as agreed 11

茶巾 12 tea towel 12

奉茶盘 13 tea tray 13

培养默契,体现群体律动之美 14 appreciating mutual-understanding and the beauty of collective rhythm 14

茶具观摩与联谊15 Tea ware appreciation and Socialization 15

无流派与地域之分 16 there is no restriction as to the school or regional practice in brewing 16

盖碗 17 lidded cups 17

叶形茶 18  tea leaves 18

粉末茶 19 powdered tea 19

Introduction:

The aesthetics, character and the state of mind created are not to be undermined in the understanding and enjoyment of tea; and yet, they are the hardest to express.  Writings on the thoughts pertaining to tea, regardless of languages used, remain scarce.   We have attempted to express them in Chinese, with accompanying English translation(Translator:Katherine Yip.2010.01), to elaborate our thoughts as they are. What we want is to share the knowledge of tea alongside tea drinking.  This is, in our opinion, an important contemporary task in promoting the tea culture (Coding in the text is for cross-referencing of the academic terms of tea).

 

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无我茶会基本架构-蔡荣章

2012春,无我茶会英译更名为“Sans Self Tea Gathering”

蔡荣章Rong-tsang Tsai

无我茶会于1990初创建。茶会的意义着重于对“无”的体悟,无我应被解释为“懂得无的我”。在未发现适当用语之时,暂时英译为“Wu-Wo Tea Ceremony”。

2012年春,我们决定将无我茶会的英译定为“Sans Self Tea Gathering”。sans 一词取自于莎士比亚剧作《皆大欢喜》,原为法文,是“无”的意思,gathering取其聚会之意,这样比较接近创建者对“无我茶会”的诠释。

无我茶会基本架构 Sans Self Tea Gathering: The Basic Model

蔡荣章-Rong-tsang Tsai

ISBN978-957-9690-08-9《无我茶会180条》1999.9第一版 2010.9第二版 -台北陆羽茶艺股份有限公司-English Translator : Katherine Yip英语翻译:叶德明

无我茶会 1 是一种茶会形式,大家自备茶具,席地围成圈圈泡茶,倘若约定每人泡茶四杯,泡好茶就把三杯奉给左邻或右邻的三位茶侣,一杯留给自己,这样每人就都有四杯茶可喝。喝完约定的泡数,如泡三道茶,收拾好自己的茶具,结束茶会。

座次到了会场才临时抽签决定。茶会进行的程序、方法已经写在事先发给大家的「公告事项」2 内,所以茶会进行间并没有指挥与司仪,一切依排定的程序进行,大家也都安安静静地泡茶。茶具的种类与泡茶的方式不受任何流派与地域的限制。

喝完最后一道茶,可以安排五分钟以内的音乐欣赏,烘托茶味并回味茶会情境.也可以在茶会结束后进行其他活动。

以上就是无我茶会的基本形式,现将上面的叙述整理成条文:

1.围成圈圈,人人泡茶,人人奉茶,人人喝茶。

2.抽签决定座位。

3.依同一方向奉茶(向左或向右)。

4.自备茶具、茶叶与泡茶用水。

5.事先约定泡茶杯数、泡茶次数、奉茶方法,并排定会程。

6.席间不语。

无我茶会为什么要有上述的这些特殊做法呢?因为它包含了无我茶会的七大精神 3 :

一.抽签决定座位——无尊卑之分 4

茶会开始之前,要到会场安排座位,标示座次。与会人员到达后,抽号码签,然后依抽到的号码就坐。事先谁也不知道会坐在谁的旁边,谁也不知道会奉茶给谁喝。不但无尊卑之分,而且没有找座位的烦恼,就如同我们的出生,如果可以挑选自己的父母,烦恼可就大了,不是吗?

在亲子一同参加的茶会场合,抽签的结果,小朋友不一定奉茶给自己的爸爸妈妈,爸爸妈妈也不一定倒茶给自己的孩子喝,呈现出一幅「老吾老以及人之老,幼吾幼以及人之幼」的大同景象。

二.依同一方向奉茶——无报偿之心 5

泡完茶,大家依同一方向奉茶,如今天约定泡四杯,三杯奉给左邻的三位茶侣,最后一杯留给自己,那就依约定把茶奉出去。第一道是端着杯子出去奉茶,第二道以后是把泡好的茶盛在茶盅 6 内,端出去倒在自己奉出去的杯内,意思是被奉者可以喝到您泡的数道茶汤。

奉茶的方式也可以改为奉给右边第二、第四、第六位茶侣;也可以约定为:奉给左边第五、第十、第十五位茶侣,后者在大型茶会时可将交叉奉茶的幅度扩大。

同一方向奉茶是一种“无所为而为”的奉茶方式,我奉茶给他,并不因为他奉茶给我,这是无我茶会想要提醒大家「放淡报偿之心」的一种做法。「奉茶」本来就是茶道 7 很好的一种作为,若能再忘掉报偿,那就更无牵挂了。

在以盲友为主的茶会,可以做这样的建议:每人奉茶给左右两位茶友与自己一杯,这时的「互助」取代了「报偿」,无需离座就可以完成奉茶的动作。

三.接纳、欣赏各种茶——无好恶之心 8

无我茶会的茶是自己带来的,而且在公告事项上是注明“种类不拘”,因此,每人喝到的数杯茶可能都是不一样的茶。茶道要求人们以超然的心情,接纳、欣赏各种茶,不要有好恶之心,因为好恶之心是不好的,会把很多“福气”排除在外,您不喜欢的东西往往并不是坏的东西,只是您不喜欢它而已,所以无我茶会提醒人们放淡好恶之心,广结善缘。

从绿茶、乌龙茶到红茶,各种茶有各自不同的色香味与个性,我们应该尊重它们,并以它们的立场冲泡它、表现它、欣赏它。

四.努力把茶泡好——求精进之心 9

每一个人喝到的数杯茶不一定都泡得很好,往往会喝到一杯泡得又苦又涩或淡而无味的茶,这时可能会有两种情绪反应:「哪一个人泡的?那么难喝。」或「泡坏了,我可要小心。」茶道上当然尊崇后者的态度,因为「泡好茶」10 是茶道最基本的要求,茶都泡不好,遑论其他大道理,有如学音乐,连琴都没能弹好,还谈什么以音乐表达某种境界?学美术,连彩笔都应用得不好,还谈什么以线条、色彩表现艺术的境界?所以无我茶会开始泡茶后就不准说话了,以便专心把茶泡好。

无我茶会奉茶时会为自己留一杯茶,就是便于了解自己的茶泡好了没有,有何缺失下一道赶紧补救。把茶泡坏了,对不起别人,对不起自己,也对不起茶。长辈常告诉我们:把一件事情做好是为人最重要的修养。

五.无需指挥与司仪——遵守公共约定 11

无我茶会是依事先排定的程序与约定的做法进行,会场上不再有人指挥。例如排定八点半布置会场,负责排放座位号码牌的茶友就要开始到场工作,九点报到,负责抽签的茶友就要将号码签准备好让与会的茶友抽签。抽完签的人依号码就坐,将茶具摆放出来,然后起身与其他茶友联谊,并参观别人带来的茶具。九点半开始泡茶,大家自动回到自己座位,负责报到抽签等工作的茶友这时也归队。泡完第一道茶,起来依约定的奉茶方式奉茶,自己被奉的数杯茶到齐之后开始喝茶。看大家大致喝完了第一道茶,开始冲泡第二道,泡妥第二道茶,持茶盅出去奉第二道茶,接着喝第二道茶……,喝完最后一道茶,若排定有品茗后音乐欣赏,则静坐原地,聆听音乐,回味回味刚才的情境。音乐结束后,将自己用过的杯子用茶巾 12 或纸巾擦拭一下,持奉茶盘 13 出去收回自己的杯子。不用清理茶渣,将自己的茶具收拾妥当,结束茶会。这期间没有人指挥,大家一个程序一个程序地依计划进行。

事先都已经排妥,并约定好了,为什么还要指挥?经常参加无我茶会,就可以养成遵守公共约定的习惯。

六.席间不语——培养默契,体现群体律动之美 14

“茶具观摩与联谊”15 时间一过,开始泡茶后就不可以说话了。等待茶叶浸泡期间,让自己沉静下来,体会一下自己存在于这个空间的感觉,体会一下自己与大地、与周遭事物结合的感觉。奉茶间,大家在一片宁静的气氛下,您奉茶给我,我奉茶给他,彼此间有如一条无形的丝带牵引着,展现一波波律动之美。这时的话语是多余的,甚至连「请喝茶」、「谢谢」的声音都是不必要的,大家照面时只要鞠个躬,微微一笑就够了。

这一节的「无声」、「默契」与上一节的「无需指挥」,让茶会的进行有如宇宙的运转、季节的更替那般自然,那么不露刀斧味。

七.泡茶方式不拘——无流派与地域之分 16

无我茶会的泡茶方式是不受限制的,这包括因流派、地域而造成茶具、茶叶的差异,如茶具可以是壶,可以是盖碗 17,茶叶可以是叶形茶 18,可以是粉末茶 19,以及泡茶方法、风格等都不受任何限制。

茶具不同、茶叶不同、服装不同、语言不同、国度地域不同,但大家在同一茶会方式下努力把自己带来的茶泡好,泡好了茶,恭恭敬敬地把茶奉给抽签遇到的认识或不认识的朋友。

茶具、泡法不拘,又要接纳、欣赏各种茶,这不表示怎么泡都可以了吗?但是无我茶会有「求精进之心」一条,当您选定了茶席与泡茶的方式,就要把茶席布置得您当时所能的最好,将茶泡到您当时可能的最好。

服装不拘、也不要求与会者执行过多礼貌,但在「求精进之心」的原则下,两者都要做出合符当时情景的需要。

以下是中英茶学术语对照

无我茶会 1 Wu-Wo Tea Ceremony 1

「公告事项」2 notification 2

七大精神 3 seven principles 3

无尊卑之分 4 an absence of hierarchy 4

无报偿之心 5 no action of reciprocity is expected 5

茶盅 6 tea pitcher 6

茶道 7 Way of Tea 7

无好恶之心 8 setting aside personal preferences 8

求精进之心 9 it is about getting better each time 9

「泡好茶」10 brewing a good pot10

遵守公共约定 11 everything goes as agreed 11

茶巾 12 tea towel 12

奉茶盘 13 tea tray 13

培养默契,体现群体律动之美 14 appreciating mutual-understanding and the beauty of collective rhythm 14

茶具观摩与联谊15 Tea ware appreciation and Socialization 15

无流派与地域之分 16 there is no restriction as to the school or regional practice in brewing 16

盖碗 17 lidded cups 17

叶形茶 18  tea leaves 18

粉末茶 19 powdered tea 19

说明:茶的“美”、茶的“性” 、茶的“境”是认识茶、享受茶的重要途径,但这部分不容易表述。有关茶道思想方面的文章,无论那种语文,都颇缺乏,现在我们试着用华文描述,再请专人译成 英文,使我们想要表达的尽量以其原始面貌呈现,让各地的读者能一起共享喝茶的乐趣。我们也认为这是当代很重要的茶文化推广工作。本茶道术语翻译及审定工作 始于2010.01月,一直持续进行中。英文翻译:Katharine Yip。(文內之编码系方便中英对照之茶道术语)

 

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第四章-泡茶原理Chapter Four-Tea Brewing Principles-蔡荣章Rong-tsang Tsai

中英文茶学术语”Chinese-English Tea Studies Terminology

蔡荣章Rong-tsang Tsai 编著Editor

2010.02台北陆羽茶艺股份有限公司 ISBN978-957-9690-06-5

第四章-泡茶原理Chapter Four-Tea Brewing Principles

4.1.与茶为友be friends with tea

泡茶的基本态度是”与茶为友be friends with tea”。

4.2.泡茶五要素5-Keys of Brewing

4.3.水温water temperature

4.4.水质water quality

4.5.茶水比例tea to water ratio  (g:cc)

4.6.时间infusion time

4.7.冲泡器brewing vessel

“水温water temperature”、 水质water quality 、”茶水比例tea to water ratio” 、时间infusion time 、”冲泡器brewing vessel”,是为”泡茶五要素5-Keys of Brewing”。

4.8.散热速度heat dissipation rate

4.9.密度高high density

4.10.胎身薄thin body

4.11.保温效果heat preservation effect

4.12.密度低low density

4.13.胎身厚 thick body

壶之影响泡茶效果,最主要的是壶的”散热速度heat dissipation rate” ,”密度高high density”者、”胎身薄thin body”者,散热速度快,即所谓之”保温效果heat preservation effect”差;”密度低low density”者,”胎身厚thick body”者,散热速度慢,即所谓之保温效果好。

4.14.水中矿物质含量dissolved mineral content

4.15.硬水hard water

4.16.软水soft water

若水中的”矿物质含量dissolved mineral content”太高,一般称为”硬水hard water” ,相反的,含量不高时,就称为”软水soft water”。软水才是泡茶良好的用水。

4.17.逆渗透净水法reverse osmosis water filtration

降低水中矿物质的含量,可以使用”逆渗透净水法reverse osmosis water filtration”。

4.18.逆渗透滤水器reverse osmosis water filter (RO water filter)

4.19.活性碳 active carbon

4.20.逆渗透滤水reverse osmosis (RO  water)

“逆渗透滤水器”RO water filter”可以降低水的硬度;”活性碳 active carbon “可以滤掉杂味与杂色。

4.21.消毒药剂disinfectant

4.22.氯chlorine

0.00.活性碳active carbon

若水中含有”消毒药剂disinfectant” ,如”氯chlorine” ,可以使用”活性碳active carbon”将之滤掉。

4.23.水中空气含量 air solubility in water

4.24.活性vibrant

“水中空气含量air solubility in water”高者,饮来口感较具”活性vibrant”。

4.25.杂质impurities

4.26.含菌量bacteria quantity

水中的”杂质impurities”与”含菌量bacteria quantity”是越少越好。

4.27.余氯residual chlorine

4.28.杂味off-flavor

4.29.危害健康的重金属harmful heavy metals

4.30.含菌量bacteria quantity

泡茶用水的矿物质总含量要低、而且不含”余氯 residual chlorine “等其他”杂味 off-flavor “。含”危害健康的重金属 harmful heavy metals “或”含菌量 bacteria quantity “太高也是不好的。

4.31.矿泉水mineral water

4.32.饮用水drinking water

市面上的”矿泉水mineral water”与”饮用水drinking water”若是矿物质含量低者,是可以用来泡茶的,若是矿物质含量高,只能作为饮用。

4.33.泉水spring water

“泉水spring water”是否适于泡茶,也是要依其矿物质、杂质、含菌量的多少而定。

4.34.导电度electric conductivity about 10ppm or less is good”

水中矿物质含量的多寡可以用”导电度electric conductivity”来表示、10度以内的软水是很适合泡茶的。

4.35.暂时硬水impermanent hard water

4.36.以煮沸的方法降低硬度reduce hardness by boiling

4.37.永久硬水permanent hard water

“暂时硬水 impermanent hard water “可”以煮沸的方法降低硬度 reduce hardness by boiling “、”永久硬水 permanent hard water “就不行了。

4.38.泉源深deep wellspring

“泉源深 deep wellspring “的泉水较不易受地面水的影响。

4.39.水温water temperature

4.40.低温low temperature 70°C~80°C

4.41.中温medium temperature 80°C~90°C

4.42.高温high temperature 90°C~100°C

泡茶的”水温water temperature”很重要,有些茶要用”低温low temperature 70°C~80°C “的水,有些茶要用”中温medium temperature 80°C~90°C”的水,有些茶要用”高温high temperature 90°C~100°C”的水。

4.43.茶叶主要成分在不同水温之下的溶解状况The dissolving parameters of tea leaf main ingredients in various water temperatures

泡茶时要注意”茶叶主要成分在不同水温之下的溶解状况 The dissolving parameters of tea leaf main ingredients in various water temperatures”。

4.44.影响水温的因素change water temperature factors

有没有温壶是”影响水温的因素 change water temperature factors “之一。

4.45.水温的判断determine water temperature

“水温的判断 determine water temperature “是学习泡茶的重要课题。

4.46.蒸气外冒的状况steam emitting condition

从”蒸气外冒的状况 steam emitting condition “可以判断水的温度。

4.47.茶汤倒出后茶叶的散热leaves cool down after pouring the liquid

前一泡的水温太高,使用”茶汤倒出后茶叶的散热” leaves cool down after pouring the liquid”是改善该泡水温的方法之一。

4.48.水温与茶汤质量water temperature and tea liquid quality

水温与茶汤质量 water temperature and tea liquid quality “是指不同的水温可以将同一种茶泡出不同质感的茶汤。

4.49.置茶量tea amount

4.50.蓬松的茶puffy form tea

4.51.紧结的茶tight form tea

4.52.密实的茶compact form tea

4.53.冲泡的次数number of brews

小壶茶的”置茶量tea amount”要看茶是属”蓬松的茶puffy form tea” ,还是”紧结的茶tight form tea” ,还是”密实的茶compact form tea” ,再依想”冲泡的次数number of brews”来决定置茶量。

4.54.紧压程度degree of compression

4.55.剥碎程度degree of flaked size

紧压茶的冲泡要注意茶的”压紧程度degree of compression”与”剥碎程度flaking size”。

4.56.多次性泡茶法multiple brew method

4.57.可泡茶次数possible number of brews

4.58.茶水比例 tea to water ratio

“多次性泡茶法”  multiple brew method  “的”可泡茶次数”   possible number of brews       “要依”置茶量”与”茶水比例 tea to water ratio “而定。

4.59.单次性泡茶法single brew method

4.60.水量cc数”1.5%的茶量g数”tea to water ratio is 1.5%g:cc ”

含叶茶法是”单次性泡茶法single brew method “,使用”水量cc数”1.5%的茶量g数” tea to water ratio is 1.5%g:cc”

4.61.净梗stemless

4.62.半梗partially stemless

4.63.带梗with stems

泡茶时要注意茶的外形,包括「净梗」 stemless “、”半梗 partially stemless “与”带梗 with stems ” 等情形。

4.64.解块flaking

4.65.含块flakes with lumps

紧压茶在冲泡之前必先剥散,称为”解块 flaking ” ,这与揉捻时之解块不同意义 。冲泡时还得留意「含块」 flakes with lumps “的大小。

4.66.着延spread

4.67.茶水可溶物water soluble substances of tea

茶叶”着延 spread “的轻重会影响”茶水可溶物 water soluble substances of tea “溶解的速度。

4.68.揉捻的轻重degree of rolling

4.69.叶胞被揉破的程度leaf crumble degree

4.70.叶底 brewed leaves

所谓”揉捻的轻重 degree of rolling “是指”叶胞被揉破的程度 leaf crumble degree “。这些从泡开后的”叶底 brewed leaves “可以清楚地看出。

4.71.茶青的嫩度fresh leaf tenderness degree

4.72.萎凋的轻重withering degree

4.73.外形紧结程度tea shape tightness

4.74.条索紧结程度tea leaf tightness

4.75.焙火的轻重roasting degree

4.76.昆虫叮咬情形的轻重insect bitten condition

4.77.枝叶连理的情形stem and stemless degree

4.78.茶形的大小tea leaf size

4.79.陈放的时间storing time

4.80.渥堆与否piling or non-piling

4.81.水可溶物含量的多寡water soluble substance quantity

4.82.浸泡时间infusion time

以上这些状况都是影响泡茶时”浸泡时间infusion time” 的因素。

4.83.松紧程度compress tightness degree

紧压茶的”松紧程度 compress tightness degree “有很大的差异。

4.84.经济型置茶量economical quantity style

4.85.优裕型置茶量abundant quantity style

只泡一次的茶叶用量有”经济型置茶量 economical quantity style “与”优裕型置茶量 abundant quantity style “之分。前者在饮用时可以让茶叶一直浸泡着,后者在适当浓度后必須将茶叶与茶汤分离。

4.86.可溶物释出速度solubility rate

4.87.可溶物释出率solubility proportion

泡茶水温会影响”可溶物释出速度solubility rate”与”可溶物释出率solubility proportion”。

4.88.基本浸泡时间minimum brewing time

小壶茶的第一泡有所谓之”基本浸泡时间minimum brewing time” ,少于这个时间,虽然茶汤浓度足够,但水中的成分不够完整。

4.89.间隔时间brew interval time(between brews)

前后两泡”间隔时间  brew interval time “的长短会影响所需浸泡时间。

4.90.向前读秒的计时器forward counting timer

4.91.倒数的定时器countdown timer backward timer”

控制茶叶浸泡时间可利用”向前读秒的计时器forward counting  timer” ,倒数的定时器 backward timer    “不实用。

4.92.倒干程度drain drying degree

泡茶时茶汤”倒干程度 drain drying degree “会影响当时与下一泡茶汤的浓度。

4.93.前一泡的浓度对下一泡茶的影响brewed tea strength influence on following brewing

连续冲泡数道茶汤,应理解”前一泡的浓淡对下一泡茶的影响 brewed tea strength influence on following brewing “。

4.94.茶鉴定tea tasting

4.95.茶欣赏tea appreciation

“茶鉴定tea tasting”与”茶欣赏tea appreciation”是一体的两面,相辅相成。

4.96.鉴定茶组tea tasting set

4.97.冲泡盅tea tasting brewing cup

4.98.评茶碗tea tasting bowl

4.99.审茶碟tea tasting saucer

茶之国际标准”鉴定茶组tea tasting set”包括:”冲泡盅tea tasting brewing cup”、”评茶碗tea tasting bowl”、”审茶碟tea tasting saucer”。

4.100.观汤色observe tea liquid color

4.101.闻热香smell hot aroma

4.102.尝滋味observe tea flavor

4.103.闻中香smell warm aroma

4.104.闻冷香smell cool aroma

4.105.审叶底observe brewed leaves

4.106.看外观observe appearance

茶之官能鉴定包括:”观汤色observe tea liquid color”、”闻热香smell hot aroma”、”评滋味observe tea flavor”、”闻中香smell warm aroma”、”闻冷香smell cool aroma”、”审叶底observe brewed leaves”与”看外观observe appearance”。

4.107.适当的浓度proper strength

4.108.冲泡总次数total brews of vessel

4.109. 第几次之冲泡 which brew of vessel

泡茶要泡出茶汤最”适当的浓度proper strength” ,包括”冲泡总次数” total brews of vessel”中的”第几次之冲泡which brew of vessel”

4.110.茶性tea character

4.111.苦味bitterness

4.112.涩味astringency

泡茶要将该种茶的茶性tea character表现得最好。若降低水温可以减弱茶汤的”苦味bitterness” ,若减少浸泡的时间,可以降低”涩味astringency”。

4.113.太淡too light tasting

4.114.太浓too heavy tasting

泡茶时若可溶物释出太少,我们称这时的茶汤为”太淡too light tasting” ,若可溶物释出太多,我们称为”太浓too heavy tasting”。

4.115.浓度strength

4.116.给予口腔的打击程度mouth intenseness

4.117.质量quality

我们说数道茶的”浓度strength”应力求一致,这浓度是指茶汤”给予口腔的打击程度mouth intenseness” ,不是说”质量quality”的好坏。

4.118.稠度richness

4.119.水可溶物的总和TDS – total dissolved solids

4.120.刺激性sharpness degree

茶汤的”稠度richness”是指”水可溶物的总和TDS – total dissolved solids” ,与表示强劲度的”刺激性sharpness degree”不同。

4.121.立体感stereo feeling

泡茶要将茶汤泡出适当的”稠度 richness ” ,而且要泡出”立体感 stereo feeling ” ,泡出”茶性tea character “。

4.122.汤量在数泡间之变化tea liquid volume changes per brew

同样冲泡器,每道汤量会逐渐减少的,泡茶时要留意”汤量在数泡间之变化 tea liquid volume changes per brew “。

4.123.茶汤温度与口感的关系tea liquid temperature and mouthfeel relationship

品茶时的汤温会影响口感,要注意”茶汤温度与口感的关系 tea liquid temperature and mouthfeel relationship “。

4.124.汤前香pre-brew scent

4.125.汤后香post brew scent

茶叶冲泡之前所显现的香气称为”汤前香pre-brew scent” ,冲泡之后在茶汤与叶底所显现的香气称为”汤后香post brew scent”

0.000.水可溶物”water soluble substances

4.126.依我们希望的比例与份量溶出expected proportion and quantities to dissolve

泡茶的要领除要求茶汤达到一定的浓度外,尚要求各种”水可溶物”  water soluble substances  “”依我们希望的比例与份量溶出 various water TDS expected proportions “。

4.127.水可溶物溶解速度的内在因素water TDS dissolved rate intrinsic factors

4.128.水可溶物溶解速度的外在因素water TDS dissolved rate extrinsic factors

泡茶应理解”水可溶物溶解速度的内在因素 water TDS dissolved rate intrinsic factors “与”水可溶物溶解速度的外在因素 water TDS dissolved rate extrinsic factors “。

4.129.最佳状况optimum condition

4.130.标准浓度standard strength

每道茶都要表现该茶当时的”最佳状况optimum condition” ,这种最佳状况也是我们追求的所谓”标准浓度standard strength”。

4.131.客观地欣赏茶的美appreciate tea objectively

4.132.表现你所要述说的意念与思想express your idea

4.133.陶冶心性cultivate ones character

品茗的意义在”客观地欣赏茶的美appreciate tea objectively” ,并借着泡茶、品饮的过程”表现你所要述说的意念与思想express your  idea”。泡茶、品饮、还可以”陶冶心性cultivate ones character”。

4.134.泡茶师箴言: Tea Master Maxim:

4.135.泡好茶乃茶人体能之训练、茶道追求之途径、茶境感悟之本体。

Improve Brewing is advancing the ability of the Tea Artist、 is the way to the Spirit of Tea、 is the enlightenment of the Tea World.

“泡茶师箴言Tea Master Maxim”对泡茶的重要性如此叙述:”泡好茶乃茶人体能之训练、茶道追求之途径、茶境感悟之本体也Improve Brewing is advancing the ability of the Tea Artist、 is the way to the Spirit of Tea、 is the enlightenment of the Tea world.”。

*说明  : 将茶学专用术语整理、翻译及审定,是当前在学校或国际间推动茶文化工作时很重要的茶学材料。我们只是逐步完成初学茶道者所应用的部分,尚需继续完备。此书 于2005年初开始收编茶学术语,进行整理、修编、审定以及翻译工作,编著:蔡荣章,英文翻译:Steven R.Jones, 校勘:蔡晓晓,于201002出版发行。Editor:Rong-tsang Tsai , English Translator:Steven R.Jones

 

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The Three Concepts of Tea Brewing-Rong-tsang Tsai

泡茶三观念The Three Concepts of Tea Brewing

蔡荣章Rong-tsang Tsai

(2005.10刊于《说茶》,北京燕山出版社,Published in“About Tea” ISBN 7-5402-1663-8 )

A perpetual argument on tea brewing will be: is there a standard pertaining to the ‘condition’ of an infusion in relation to how it is being brewed?Will each brewing give infusion of different conditions? Could brewing techniques change the original quality of a certain tea? And the list goes on.  Besides, it is essential to define the ‘strength’ 1  of tea infusion 2, the proper attitude towards ‘brewing a good pot’ 3, and the difference between ‘savouring’ 4  and ‘appraising’ 5  tea.

1.  Are there standards regarding the ‘strength’ and ‘quality’ of the tea infusion?

The term ‘strength’ is general.   It refers to the ‘impact’ 6  of tea infusion in our mouth, regardless of its taste and quality. It should not be defined as the sum total of water-soluble substances 7 , for the fact that some of the components are more powerful and readily sensed – this is to say, the sum of water-soluble substances of a certain tea may not be as much as another; and yet, their impact could be the same. Meanwhile, strength is not the same as ‘stimulation’ 8 , as some teas impress with their pronounced bitterness and astringency 9 , while others capture our attention with their texture 10  or aromatic intensity 11 . As such, we will only define the ‘strength’ based on the ‘impact’ an infusion has in our mouth.  We will stay with this for the convenience of discussion on issues relating to different rounds of brewing.

Quality refers to the judgement of a tea as being good or bad – a judgement made on a calm, objective and scientific stance. Besides good components, quality also implies the right combination that gives rise to a taste well-received by most people and approved by experts. It is impossible to achieve consistent quality for each brewing – we can, however, achieve more or less the same strength by way of brewing techniques.

Given the same ‘batch’ of tea leaves, is there any standard pertaining to the tea infusion concerned? Will people have very different views as to the taste of the infusion from the same ‘batch’ of tea leaves?  Even if there is difference, it could only be relative.  How do we prove this?If we use the same ‘batch’ of tea leaves to brew tea of different strength with water of varying temperature, and offered these brews to a considerable sample of people, their preference would fall within a certain range.  If this sample of people has substantial knowledge of tea, the one or few cups with the highest preference represent what we call the standard.  There may not be only one single preference, but the preferences are always within a certain range. We do not rule out individual preferences; but we must attain the standard first before we try catering to unique personal taste.

Some people may say, the quality of tea is determined by the tea leaves; tea brewing can do very little to alter its intrinsic quality. This may be true with ‘tea products’ 12 , but not with tea brewing. Take for instance ‘premium tea’ 13  brewed during a competition – it may be utterly undrinkable.  Again, some may point out that given the same method of brewing, we will be able to distinguish between the good and bad among different cups of tea. This is true in the sense that tea appraisers could make still out the good from the bad with ultra strong infusion. And yet, what we are concerned here is not tea appraisal, but tea brewing.

The absence of standard pertaining to the strength and quality of tea infusion will imply that any way of brewing will do!

2.  Should we go for consistent strength for each brewing?

As we mentioned in the last section, standard strength refers to the best condition of the tea infusion for each brewing. The best condition is reflected by the preference of the majority of tea drinkers, and this can be simply expressed by the standard strength; as such, we should try maintaining the same consistency in between rounds of brewing.  Quality will diminish with each brewing, until the time we discard the brewed tea leaves and replace them with fresh ones.

Some may think that consistency is not essential, as infusion of different strength and style highlight various appeal of a certain tea. This may seem reasonable; but then again, is this not advocating ‘freehand’ brewing, that is, the lack of any standard practice? You may raise objection and say, should there not be more than one type of ‘strength’ or ‘style’ people prefer? This is correct, insofar as it falls within what we describe as the ‘standard strength’ – surely, it should not be a case of ‘to each his own liking’ or ‘being different for difference’s sake’.

The ‘pursuit of the best’ (not necessarily only one) is what we have been advocating and working towards. Life is multi-faceted; but it does not mean that we have to experience and realize each and every aspect. The same goes with tea brewing. What we should avoid is brewing a pot that is too strong, too weak or too bitter.  What we aspire to is brewing a good pot/cup in an effortless manner.

3.  What exactly does it mean by brewing a good pot?

It means that each brewing gives infusion that is of the best condition of the tea leaves at the time. In terms of quality, the fourth brewing will be inferior to the first or the second brewing; and yet, we should aim at the best condition at the time.

Often, we say that a skilful brewer could make tea worth more than its monetary value. For instance, using tea leaves of $ 100/catty, he will produce infusion that appears to be made with tea leaves of $ 150/catty.  By the same token, a poor brewer will not do justice to premium tea. Even if he makes tea with tea leaves of $ 200/catty, the infusion may be inferior to that made with tea leaves of $ 50/catty.  This goes to illustrate how important the brewing technique is, not that it can change the quality of tea leaves. Given the same technique, a person can brew a good pot/cup out of tea leaves worth of $ 50/catty or $ 100/catty; and yet, the infusion of the latter should be superior to the former.

The essence of brewing well is to brew the best possible tea with existing conditions, even if it is the fifth brewing, or with tea leaves that are distinctly bitter and astringent. Brewing well is also the foundation to the Way of Tea. We would not be able to appreciate the more subtle side of things, such as the artistic and spiritual aspects, if we fail to brew a good pot. It is with incessant practice that a tea aficionados could explore on a higher level and achieve more extensive realization in order to open up new fronts in pursuing the Way of Tea.

以下为文內之编码Coding in the text:

浓度1 strength 1

茶汤2 tea infusion 2

「泡好」茶3 brewing a good pot 3

品茗4 savouring tea 4

评茶5 appraising tea 5

打击6 ‘impact’ 6

水可溶物7 water-soluble substances 7

刺激性8 ‘stimulation’ 8

苦涩味9 bitterness and astringency 9

稠度10 texture 10

气味11 aromatic intensity 11

茶制品12 tea products 12

特等茶13 premium tea 13

 

Introduction:

The aesthetics, character and the state of mind created are not to be undermined in the understanding and enjoyment of tea; and yet, they are the hardest to express.  Writings on the thoughts pertaining to tea, regardless of languages used, remain scarce.   We have attempted to express them in Chinese, with accompanying English translation(Translator:Katherine Yip.2010.01), to elaborate our thoughts as they are. What we want is to share the knowledge of tea alongside tea drinking.  This is, in our opinion, an important contemporary task in promoting the tea culture (Coding in the text is for cross-referencing of the academic terms of tea).

 

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泡茶三观念-蔡荣章

泡茶三观念The Three Concepts of Tea Brewing

蔡荣章Rong-tsang Tsai

2005.10刊于《说茶》,北京燕山出版社,ISBN 7-5402-1663-8

泡茶时经常发生的争论是:茶要泡到怎样的状况有一定的标准吗?一壶茶之数泡间,可以泡出不同状况的茶汤吗?泡茶技术可以改变茶的原来质量吗?……除了这些问题,我们还要对茶汤2「浓度」1  有个定义,对「泡好」茶3有个正确的态度,对「品茗」4与「评茶」5的意义有所区别。

1.茶汤「浓度」与「质量」有一定的标准吗?

这里所说的「浓度」是概括性的,指茶汤喝进口内,给予口腔的「打击」6程度,不意味是「好」或「坏」的味道,也无论「质量」的高低。也不能以「水可溶物7的总和」来代替,因为或许有某些成分增加了口腔的感觉,因此虽然水可溶物的总和不如别种茶,但给予口腔的打击程度却是相等;也不能以「刺激性」8 来代替,因为有些茶汤以强劲的味道,如苦涩味9引起注意,有些茶汤则以稠度10或气味11让人警觉,但这些茶汤只要给予口腔的打击程度相当,我们就说它们的「浓度」差不多。因为只有作此解释,谈论泡茶时「各次茶汤间」的问题才有通俗的名称可用。

至于「质量」,是以冷静、客观、而且科学性的态度,评判茶汤「好坏」的用语,不只包括好的成分,而且要有恰当的组合,造成的口味还要是绝大多数人喜欢,专家认可者。泡茶时数道茶汤的「质量」是无法一致的,我们讲究泡茶的技艺只是要求数道茶汤间「浓度」的接近。

同样的一堆茶,泡出的茶汤有一定的标准吗?会不会你说东边的那杯茶汤好喝,他说西边的那杯茶汤好喝?不会差那么远的,有可能只是偏东或偏西。何以证明?我们把同一堆茶泡成不同浓度、而且以不同温度的水泡出许多杯茶汤,让许多人去品评,喜好度一定集中在某一区域内,如果这些人对各类茶都有一定程度的认识,那得票数最高的一杯或数杯就是我们所说的「标准」。「标准」不定于一,但总在一定的范围内。我们也不排斥少数人的独特喜好,但泡茶时只要有能力达到「标准」,就有能力满足这些特殊的要求。

有人说,茶的好坏已是定局,只有茶的好坏而没有所谓泡茶的好坏。这个说法就「茶制品」12而言是有道理的,但对「泡茶」而言就不适用了,比赛的「特等茶」13可以泡得没人要喝的。就这一点而言,也有人会提出异议:不论怎么泡,只要在同一泡法下,我总可以在数杯茶汤中找出好坏。这话说得没错,即使是超浓的泡法,有经验的评茶专家依然可以分辨出优劣与质量特性。但现在我们不是在谈论「评茶」,而是在讨论如何「泡茶」。

如果说茶汤的浓度与质量没有一定的标准,那不就怎么泡都对了!

2.数泡茶间的浓度应力求一致吗?

依上面提到的所谓「标准」,是指茶汤在每一泡时的最佳状况,因为只有最佳状况才会获得最多数人的喜爱,而「最佳状况」可以简单地用「标准浓度」来表达,所以数泡茶间的浓度应力求一致。至于「质量」,在第一泡或前面数泡后一定往下滑落,直到我们认为应该换茶了。

有人认为不一定要「要求一致」,泡出各种不同的浓度与风格正可欣赏该种茶不同的滋味。这话初听之下似乎有理,但仔细思考一下,这样做不就成了「随意泡」?那还何必讲求章法?你或许又要提出异议:让人喜欢的不会只是一个浓度与风格吧?没错,但是这个范围还是包括在我们所说的「标准浓度」之内,所以不能将之解释为「都可以」,或「故意泡成各种状况」。

「追求最好的」(不是单一的)一直是我们鼓励与努力的,人生有各种不同的层面,但实际生活上是不需要每一层面去体会、去实践的,泡茶也是如此,太浓的、太淡的、太苦涩的,能避免就尽量避免,随手泡壶(杯)好茶,才符合我们的希望。

3.「泡好」茶的真义

泡好茶的意义就是将每一道茶都泡出当时茶叶最佳状况的茶汤,第四道的茶汤质量一定不如第一泡的茶汤质量,但是我们要将每一道都泡得最好。

我们常说:会泡茶的人可以将一百元一斤的茶泡出一百五十元的价值,同样的,不会泡茶的人,可以把一斤两百元的茶泡得五十不值。这只是说明泡茶技术的重要,并不是说泡茶技术可以改变茶叶的质量。同样的技术,可以将五十元的茶泡好,当然也可以将一百元的茶泡好,得出来的茶汤应该是一百元的胜于五十元。

「泡好」茶的真义在于:就现有的条件将茶泡出最佳的茶汤,即使已经泡至第五道,或是原本苦涩味就偏重的茶。「泡好」茶也是茶道的基础,如果茶都泡不好,如何讲求茶道的艺术与精神?再进一步说,不断地练习泡茶,才能使茶人在意志与思想上进入更高的茶道境界,或是体悟、创造出新的层面。

以下为文內之编码Coding in the text:

浓度1 strength 1

茶汤2 tea infusion 2

「泡好」茶3 brewing a good pot 3

品茗4 savouring tea 4

评茶5 appraising tea 5

打击6 ‘impact’ 6

水可溶物7 water-soluble substances 7

刺激性8 ‘stimulation’ 8

苦涩味9 bitterness and astringency 9

稠度10 texture 10

气味11 aromatic intensity 11

茶制品12 tea products 12

特等茶13 premium tea 13

说明:

茶的“美”、茶的“性” 、茶的“境”是认识茶、享受茶的重要途径,但这部分不容易表述。有关茶道思想方面的文章,无论那种语文,都颇缺乏,现在我们试着用华文描述,再请专人译成 英文,使我们想要表达的尽量以其原始面貌呈现,让各地的读者能一起共享喝茶的乐趣。我们也认为这是当代很重要的茶文化推广工作。本茶道术语翻译及审定工作 始于2010.01月,一直持续进行中。英文翻译:Katharine Yip。(文內之编码系方便中英对照之茶道术语) (2305)

第三章-茶之分类与识别 Chapter Three Tea Classification and Recognition-蔡荣章Rong-tsang Tsai

中英文”茶学术语”Chinese-English Tea Studies Terminology

蔡荣章Rong-tsang Tsai 编著Editor

第三章-茶之分类与识别 Chapter Three Tea Classification and Recognition

(201002.台北陆羽茶艺股份有限公司。ISBN978-957-9690-06-5)

第三章-茶之分类与识别 Chapter Three Tea Classification and Recognition

 

3.1.市场之茶分类Marketing Tea Classification

 

市场之茶分类Marketing Tea Classification”乃依发酵fermentation”、揉捻rolling”、焙火roasting”、原料成熟度tea leaf maturity”等之不同而分。

 

分  类  名  称 

Classification Name

商 品 名 称 举 例 

Product Name Examples

 

 

 

 

绿茶

(含黄茶)

Green Tea

including Yellow Tea”

 

3.2.针银绿茶Silver Needle Green Tea 3.3.绿茶银针Green Needle、3.4.君山银针Jun Mountain Silver Needle
3.5.原形绿茶 

Lightly Rubbed Green Tea

3.6.六安瓜片Liuan Leaf、3.7.安吉白茶Anji White Leaf、3.8.太平猴魁Taiping Monkey、3.9.霍山黄芽Huoshan Yellow Bud
3.10.松卷绿茶 

Curled Green Tea

3.11.碧螺春Green Spiral、3.12.径山茶 Jing Mountain Tea、 

3.13.蟠毫 Coil Curly Hair、

3.14.剑片绿茶 

Sword Shaped Green Tea

3.15.龙井Dragon Well、 

3.16.煎茶Green Blade (Sencha)、竹茗香 Zhuming Tea

3.17.条形绿茶 

Twisted Green Tea

3.18.雨花茶 Rain Flower Tea、3.19.玉露Jade Dew、3.20.香片Jasmine Tea、3.21.眉茶Brow Tea
3.22.圆珠绿茶 

Pearled Green Tea

3.23.珠茶Gunpowder、3.24.虾目 Shrimp Eye、3.25.绣球Silk Ball
3.26.蒸青绿茶 

Steamed Green Tea

玉露Jade Dew、煎茶Green Blade Sencha
 

普洱茶

Puerh Tea

3.27.存放普洱Store Tea 3.28.青沱Celadon Bowl Puerh、3.29.青饼 Celadon Cake Puerh
3.30.渥堆普洱Pile Puerh Tea 

(黑茶类) Dark Tea

3.31.宫廷普洱 Palace Puerh、3.32.七子饼Seven Stack Puerh、3.33.康砖 Kang Brick Tea、3.34..六堡茶 Liu Bao Tea
 

乌龙茶

(含白茶与青茶)

Oolong Tea

including White Tea and Celadon Tea

3.35..白茶乌龙 

White Oolong

3.36.白毫银针White Tip Needle、3.37.白牡丹 White Peony、3.38.寿眉 Brow Tea
3.39.条型乌龙 

Twisted Oolong

3.40.清茶(包种茶)Light Oolong (Pouchong)、3.41.大红袍Robe Tea、3.42凤凰单丛Fenghuang Unique Bush
3.43.球型乌龙 

Pelleted Oolong

3.44.冻顶Dong Ding Oolong、3.45.铁观音Iron Goddess、 

3.46.佛手Finger Citron

3.47.熟火乌龙 

Roasted Oolong

3.48.熟火铁观音Roast Iron Goddess、3.49.熟火岩茶Roast Rock Tea
3.50.白毫乌龙 

White Tipped Oolong

白毫乌龙White Tip Oolong (3.51.东方美人Oriental Beauty)
 

红茶

Black Tea

3.52.条型红茶 

Unshredded Black Tea

3.53.祁红Keemun Black、3.54.滇红Dian Black、3.55.正山小种Lapsang Souchong
3.56.碎形红茶 

Shredded Black Tea

3.57.红小袋茶Black Tea Flake

 

 

3.58.西湖龙井    Xihu Dragon Well

3.59.黄山毛峰Yellow Mountain Fuzz Tip

 

有些茶以原产地为名,如”西湖龙井Xihu Dragon Well”、”黄山毛峰Yellow Mountain Fuzz Tip”都是。

 

0.00.渥堆普洱Pile Puerh

0.00.黑茶Dark Tea

3.60.熟普Black Puerh

3.61.熟饼 Black Cake

0.00.存放普洱Store Puerh

3.62.生普 Green Puerh

3.63.青普 Celadon Puerh

3.64.生饼 Green Cake

 

“渥堆普洱Pile Puerh “属”黑茶Dark Tea”类,市面上有人称”熟普Black Puerh “或”熟饼Black Cake”;”存放普洱Store Puerh “不属黑茶,市面上有人称生普Green Puerh  “或”青普Celadon Puerh “或”生饼 Green Cake”。

 

0.00.大红袍Robe Tea

3.65.武夷岩茶Wuyi Rock

 

大红袍Robe Tea是武夷岩茶Wuyi Rock的一种。武夷Wuyi是中国福建省的一处山区地名。

 

0.00.条型红茶Unshredded Black Tea

0.00.碎形红茶Shredded Black Tea

3.66.工夫红茶Gongfu Black Tea

 

成品茶成条状的红茶称为条型红茶Unshredded Black Tea “,切成碎角状的称为碎型红茶 Shredded Black Tea “。条型红茶中制作精良的者可以特别称为工夫红茶Gongfu Black Tea”。

 

0.00.蒸青绿茶steam fixed green tea

3.67.烫青绿茶blanch fixed green tea

3.68.炒青绿茶stir fixed green tea

3.69.晒青绿茶sun fixed green tea

3.70.碾茶flake tea

 

绿茶因杀青方式不同可有”蒸青绿茶steam fixed green tea”、”烫青绿茶blanch fixed green tea”、”炒青绿茶stir fixed green tea”、”晒青绿茶sun fixed green tea”等种类。研磨成抹茶whisk tea “的碾茶flake tea”属”蒸青绿茶steam fixed green tea”。

 

3.71.茶水交融well mixed

3.72.泡沫froth

 

茶道上使用的抹茶whisk tea”是在碗内和水搅击至”茶水交融well mixed” ,液面起”泡沫froth” 后饮用。

 

0.00.白毫乌龙White Tip Oolong

0.00.东方美人Oriental Beauty

3.73.着延茶Bitten Tea

3.74.膨风茶Boast Tea

3.75.三色茶Motley Tea

3.76.五色茶Motley Tea

 

白毫乌龙White Tip Oolong”又称为”东方美人Oriental Beauty”、”着延茶Bitten Tea”、”膨风茶Boast Tea”、”三色茶”或”五色茶Motley Tea”。

 

0.00.绿茶green tea

3.77.秧苗seedling

 

绿茶像一片”秧苗seedling” ,生命力很旺盛的样子。

 

0.00.清茶(包种茶) Light Oolong (Pouchong)

3.78.草原grassland

 

清茶像一片”草原grassland” ,活泼有朝气。

 

0.00.冻顶Dong Ding Oolong

3.79.森林forest

 

冻顶像一片”森林forest” ,能扛重责大任。

 

0.00.铁观音茶Iron Goddess

3.80.崇山峻岭lofty mountains

 

“铁观音”像Iron Goddess””崇山峻岭lofty mountains” ,是阳刚茶的代表。

 

0.00.白毫乌龙White Tip Oolong

3.81.玫瑰花海sea of roses

 

“白毫乌龙White Tip Oolong”像一片”玫瑰花海sea of roses” ,是阴柔茶的代表。

 

 

0.00.普洱茶Puerh Tea

3.82.深山古刹deep mountain ancient temple

 

普洱茶Puerh Tea像出家的老和尚,喝普洱茶如走进了”深山古剎deep mountain ancient temple”。

 

3.83.大叶红茶large-leaf black tea

3.84.小叶红茶small-leaf black tea

3.85.烟熏红茶Smoke Black Tea (Lapsang Souchong)

3.86.阿萨姆红茶Assam Black Tea

 

用大叶种制成的红茶称为”大叶红茶large-leaf black tea” ,用小叶种制成的红茶称为”小叶红茶small-leaf black tea” ,用松枝等熏过的红茶称为”烟熏红茶smoked black tea” ,用阿萨姆品种制成的红茶就称为”阿萨姆红茶Assam Black Tea”。

 

3.87. 末茶 Tea Powder

3.88.抹茶Fine Powder Tea

 

粉状的茶称为末茶 Tea Powder”,其中特别讲究质量,且磨得特别细致,直接搅击以饮用者称为抹茶Fine Powder Tea。

 

3.89.泡沫茶foam tea bubble tea”

3.90.泡沫红茶Foam Black Tea

 

搅击泡妥之红茶茶汤,使起泡沫,增强口感之活性,称为”泡沫红茶Foam Black Tea”。

 

0.00.红茶Black Tea

3.91.秋天变红了的枫树林autumn maple forest

 

红茶有如一片”秋天变红了的枫树林autumn maple leaves” ,像慈祥的妈妈。

 

3.92.熏花茶Scented Tea

3.93.熏花绿茶Scented Green Tea

3.94.熏花普洱茶Scented Puerh Tea

3.95.熏花乌龙茶Scented Oolong Tea

3.96.熏花红茶Scented Black Tea

 

将茶加入花香就成”熏花茶Scented Tea”,以绿茶加熏花香就是”熏花绿茶Scented Green Tea”、以普洱茶加熏花香就是”熏花普洱Scented Puerh Tea”、以乌龙茶加熏花香就是”熏花乌龙茶Scented Oolong Tea”、以红茶加熏花香就是”熏花红茶Scented Black Tea”。

 

3.97.茉莉绿茶Jasmine Scented Green Tea

3.98.桂花乌龙茶Osmanthus Oolong

3.99.茉莉花茶Jasmine Tea

3.100.玫瑰绣球Rose Bulb Tea

 

熏花茶也可因所加入的花香名而称呼为”茉莉绿茶Jasmine Scented Green Tea”、”桂花乌龙茶Osmanthus Oolong”。如果只称”茉莉花茶Jasmine Tea”或”玫瑰绣球Rose Bulb Tea”,那就是以茉莉花或玫瑰花所熏制的绿茶。

 

3.101.调味茶Spiced Tea

3.102.调味绿茶Spiced Green Tea

3.103.调味普洱Spiced Puerh Tea

3.104.调味乌龙Spiced Oolong Tea

3.105.调味红茶Spiced Black Tea

3.106.人参乌龙茶Ginseng Oolong

3.107.肉桂茶Cassia Tea

 

调味茶Spiced Tea是以其他食物与茶掺和在一起的茶,各类茶都可以如此调制而称为调味绿茶Spiced Green Tea、调味普洱Spiced Puerh Tea、调味乌龙Spiced Oolong Tea、调味红茶Spiced Black Tea。如果以人参粉调制乌龙茶,则称为人参乌龙茶Ginseng Oolong,以肉桂粉调制的茶,则称为肉桂茶Cassia Tea。

 

*说明  : 将茶学专用术语整理、翻译及审定,是当前在学校或国际间推动茶文化工作时很重要的茶学材料。我们只是逐步完成初学茶道者所应用的部分,尚需继续完备。此书 于2005年初开始收编茶学术语,进行整理、修编、审定以及翻译工作,编著:蔡荣章,英文翻译:Steven R.Jones, 校勘:蔡晓晓,于201002出版发行。Editor:Rong-tsang Tsai , English Translator:Steven R.Jones

 

 

  (2831)

The Way of Tea and Abstract Art-Rong-tsang Tsai

茶道与抽象艺术The Way of Tea and Abstract Art

蔡荣章-Rong-tsang Tsai

2002.07《茶艺》月刊社论Published in “Tea Art”monthly magazine

We are no strangers to familiar sights and sounds around us; but when it comes to sights and sounds we are not familiar with, or are unsure of, we’ll be at a lost.  With the Way of Tea 1, there are more of the ‘unfamiliar’ than the ‘familiar’ if what we encounter in our daily lives is a guide.  It could be easier for us to appreciate the Way of Tea if we have some knowledge of Abstract Art.

The Way of Tea is a cultural behavior externalized by the act of tea brewing and drinking.  This is not to say that tea brewing and drinking is not figurative enough; through tea brewing and drinking, aficionados express abstract concepts. However, both the ‘senders’ and ‘recipients’ of the conceptual messages must have an understanding of the abstract.

It is not enough to only appreciate what is figurative as in representational art, such as a person, a tiger, a street, a church, a musical piece based upon birds chirping, or a familiar folk song. When a canvas shows nothing but lines and planes of colour, or a sculpture that looks like nothing we know of, or a musical rendition of simply sounds, that is abstract.  And if these images and sounds reflect exactly what their creators want to express in terms of the aesthetics and concepts, they are what we call the ‘Abstract Art’.

Understanding and application of the abstract in art must be taught.  Many a time, during school outings, teachers will direct students’ attention to the ‘Lion Head Hill’ (because it looks like a crouching lion), or the mountain ridge that resembles a Buddha lying down with the face of the ‘Goddess of Mercy’.  Rocky outcrops not readily recognizable in terms of physical likeness are simply ignored.  Musical appreciation is approached in a similar manner – we are encouraged to find out if the music sounds like children crying, or festivities and celebrations. With such training, people will consider a painting or a piece of music incomprehensible because they see or hear nothing familiar in it.  This springs from a lack of understanding towards the ‘abstract’.  If we are aware of the impact of the abstract on art, thoughts and the aesthetics, we will understand how much we have lost by not being able to appreciate the abstract – without us know, we are turning our life of vibrant colours into something monochromatic.

This brings us back to tea, where exposure to abstract concepts, paintings, sculptures and pure music, among others, is a pre-requisite. Only by liberating ourselves from what is recognizable can we fully appreciate the colour, aroma, flavor, appearance and style of tea – and this will also make it possible for us to master the spirit of ‘modesty and self-restraint 2’, ‘purity and harmony 3’ and ‘emptiness and solitude 4’.  When the need arises, we will be able to externalize the ideas by way of tea brewing 5 and tea gatherings 6.

以下为文內之编码Coding in the text:

茶道1 the Way of Tea 1

精俭2 modesty and self-restraint 2

清和3 purity and harmony 3

空寂4 emptiness and solitude 4

泡茶5 tea brewing 5

茶会6 tea gatherings 6.

Introduction:

The aesthetics, character and the state of mind created are not to be undermined in the understanding and enjoyment of tea; and yet, they are the hardest to express.  Writings on the thoughts pertaining to tea, regardless of languages used, remain scarce.   We have attempted to express them in Chinese, with accompanying English translation(Translator:Katherine Yip.2010.01), to elaborate our thoughts as they are. What we want is to share the knowledge of tea alongside tea drinking.  This is, in our opinion, an important contemporary task in promoting the tea culture (Coding in the text is for cross-referencing of the academic terms of tea). (2409)