Tag Archives: 茶道表演

20131218-海峡两岸新型农民交流培训基地茶业培训班的一次课-蔡荣章

 20131218

海峡两岸新型农民交流培训基地茶业培训班的一次课

蔡荣章

“海峡两岸新型农民交流培训基地茶业培训班” 已第三次在漳州科技学院举办为期一周的讲习,参加的是来自福建漳州地区县镇乡从事茶叶种植与买卖的茶企业经营者与员工共50名。这期有一次课程是整个下午三节的“两岸茶业互动问题”。

第一节谈到海峡两岸这30年几种茶类的兴起与变化。这几种茶类是指最早的普洱茶,继之的清香型铁观音、金骏眉型红茶、边销型黑茶,以及最近掀起的熟香型铁观音与已见苗头的老茶。这几种茶都是在短短的几年间就因市场的运作而兴旺了起来,而且价格翻了好几倍。不管它后来失宠了,但市场的高知名度已不是纯靠宣传广告可以比拟的,平均价格也不会降得比风浪之前的还低。这是茶文化复兴期间的茶产业大事,值得我们借鉴与研究。课堂上还分析了每种茶兴起的背景与相关的产销资讯,如铁观音的焙火工艺、普洱茶的入仓与渥堆等。

第二节谈到茶业除了「卖茶叶」外还可以卖什么,大家提出了卖包装、卖文化、卖服务,老师加上了「卖茶汤」。于是谈到为什么咖啡除卖咖啡豆以外还有咖啡汤市场,为什么茶汤不能脫离茶叶独自成为一件商品在市场上行销?讨论的结果是我们不重视茶汤,谈茶的效用时只谈它的保健与和谐,我们应该将人们的注意力放到茶汤的色香味与茶性风格的欣赏上。要达到聚焦于茶汤,必须强调泡茶技术的重要性,不能还说:淡一点有淡一点的风味,浓一点有浓一点的风味。一定要很精准地泡到该壶茶最佳的状况。而且从自家店面接待客人或开会时做起,奉一杯看来就值钱的「茶汤」。有了这些社会背景,才可不再怨叹为什么我们的茶馆业不如咖啡馆业的兴盛。

第二节课来不及下课就进入到了第三节,这节研讨了阻碍茶业发展的二项事。一是到处的茶艺表演,看表演者经常是喝不到茶汤的,于是以为茶文化就是看表演,以为茶道的重点就在表演者、表演者的肢体表现、茶席的布置、茶席上的音乐。甚至公办的茶艺技能竞赛也将茶汤分数的占比降至40%,超越茶汤重要性的是服装、音乐、仪态等等。第二项阻碍茶业发展的是人们学茶的机会不多、质量不好。开设茶文化专业的学校都是中、高职校或本科以上高校,这个年龄层的科系选择受父母长辈的影响很大,父母长辈对茶产业茶文化理解不多,宁可孩子选择商业与科技方面的科系。向往茶产业与茶文化的都是已进入职场的成年人,他们无力回学校当学生,只有找民间的茶道教室。但民间的茶道教室尚缺乏师资培训与认证的机制,教学的质量无法保证,甚至以讹传讹。希望设有茶文化科系的学校能赶快在方便这些职场人员或家庭主妇上课的地方设置教育与认证的场所。

以上这些话题都是海峡两岸茶业与茶文化发展上共同的问题,在这样一个“海峡两岸新型农民交流培训基地” 的“茶业培训班”上提出探讨最是恰当。最后有学员提出:我们只是小地方的小农小企,怎能扭转这样的乾坤?结论是:从泡好一杯茶做起,从奉上一杯有价值的茶汤做起,当有人邀您参与茶文化活动时不要说我是小企一家,出不了多少钱,要知道这一点钱是买“肥料”(茶文化)的钱,是让茶树(茶产业)长好必要的成本。

 

  (1947)

这是一个茶沦为配角的茶艺表演时代-20131118周一喝茶慢-许玉莲

这是一个茶沦为配角的茶艺表演时代

许玉莲

20131118周一喝茶慢MONDAY SLOW TEA

「茶艺表演」为什么比「茶道演示」拥有更加可能成为主流的趋势?这与目前有几股势力加入茶界操作是脱不了关系的,一先说插花、点香,人们一直争论和迷惑这些是否也属于茶道的一部分的时候,这些「产品」已经在茶界大规模开班收徒,茶人们排队缴费进场学插花点香的多得是,大家以为插花与点香在茶席上有点石成金的效果,能把茶席弄得更引人入胜来吸睛,有些茶会把花艺、香道达人直接请到茶会现场指导,他们在泡茶席上的风头比茶人还犀利,茶人们都乐得听从他们的铺排,认为这样茶友才会「买单」。

茶道的训练本应接受多方面的艺术熏陶,那可加强对艺术方面的欣赏力与创造力,不过像这样过分依赖别种(插花、点香)文化来表达自己所做的(茶道)项目,无疑地显示出茶道的无力感。人们在花艺界举行花艺活动时,可以不请茶道达人去演示「茶道内涵」来加强花的效果,香道界在举办香会时,可以不请茶道达人去为点香助阵,这两项文化显然可独立生存,反观茶道,少了这两样,好像就说不出自己「茶道内涵」的话了。「茶道」只好停在「茶艺表演」阶段,让其他文化介入。

二是与茶席相关的项目如空间、家具、服装、茶器设计及摄影等已随着插花、点香,成为另几项茶界要仰赖的茶艺表演道具提供。很多茶人不知道自己要用什么桌子,地方要怎么摆设,要穿什么衣服,要用怎样的一支壶来泡茶,统统交给专家设计,这是茶人把自己变成「演员」的第一步,茶人把要藉以表达「茶道内涵」的道具、形式一概放弃不管,让其他相关项目的专家去个别施展到自己将要进行创作茶汤的泡茶席上。这是否显示了茶人对要表达茶道精神的技术掌握得非常少,甚至不懂,以致在许多茶会场合我们可以听到人们津津乐道的是哪位大师为这场茶会设计服装,哪位大师做室内设计,哪位大师设计了什么茶壶,获得哪位大师为他摄影是多么地与有荣焉。但好像没有谁会在乎哪位茶人值得我们期待他的茶汤作品发表。

三是「演员」,最后有些茶人连「演员」也不做了,直接聘用「工作人员」回来当「演员」代表自己的机构出演就是。有些舞台剧演员、舞蹈员或其他文化创意界的工作者在「茶艺表演」舞台找到出路,或受雇于茶界,或自立门派成为「茶艺表演」的专业「演员」,把「茶艺表演」带动的更加猖狂。茶道演示更加销声匿迹了。

四现今有两群消费能力极高的消费群体左右了茶界的市场,一群是豪华奢侈者进入茶界「消费」茶文化,这群豪客玩古器、喝古董茶、收藏铁壶银壶、到拍卖行投字画、点沉香、置地盖造茶屋、流行开办茶会、香会来附庸风雅,成为「茶艺表演」最大的客户,是一个有潜质制造利润的市场,让茶界亦步亦趋。另一群是「禅修客」,把茶当作一种媒介来宣示茶禅一味是他们的独特修行,「茶艺表演」也成为为这群消费者做服务的产品。

我们从以上情况检讨:茶人多从茶行在职培训而来,是否这样社会觉得他们不够学术性?反观其他室内设计、服装设计等是否让大众(包括茶人本身)觉得更专业?因为他们大多属于学院科班出身?故此茶会由他们执话事权反而得到大众的信服?茶人的专业在哪里?茶人的专业包括需要懂得如何利用泡茶空间吗?如何摆置桌椅吗?什么样的服装才是泡茶的好服装吗?茶人在这几方面所下的功夫是否信心不足?茶人要表达茶道内涵的技术在哪里?是技术含量低做不出来,或是还没有把技术体系做好,于是只好把表达内涵的事情都交出去给别人做了?变得茶人们现在都不敢、或不会做茶道演示?只有坐在那里装模作样做一个泡茶表演的样子而已?

 

  (3160)

《無我茶會Sans Self Tea Gathering》-蔡荣章著.韩文翻译版-2013.10

《無我茶會Sans Self Tea Gathering》-蔡荣章著.韩文翻译版-2013.10

2013.10,韩国International Tea Club出版

ISBN:978-89-6745-021-2  03570 (3115)

茶艺表演用艺人与茶道演示用茶人之别-20131104周一喝茶慢-许玉莲

茶艺表演用艺人与茶道演示用茶人之别

许玉莲

20131104周一喝茶慢MONDAY SLOW TEA

茶艺表演与茶道演示的差别在:茶艺表演只是以茶为题来从事的一种活动,人们在表演过程时较强调的是故事情节、演员、肢体动作和服装等,比如表演用茶叶来作为嫁娶聘金的礼节,提供了富丽堂皇热闹繁华的情境。表演向天地拜祭的献茶,呈现了大自然的美。表演道士在寺庙静坐也泡茶的过程,表达了道士修身养性的方法。但在这些节目里,茶只不过是一种道具而已。

茶道演示则需要以茶道艺术与内涵做主题表现,要以茶为中心,让茶自己说自己的话,茶道艺术首先要有一套完整程序的茶法,使用可以发挥茶性的茶具,冲泡制作优良的茶叶,然后泡茶者投入精神一门心思就是希望能把茶泡好,让品茗者用茶时可以体会到茶本身的生命力。

我们要说:茶艺表演可以用艺人上阵,茶道演示必须由茶人亲自做。

茶艺表演的演员可来自茶企业任何职员或专任茶艺表演的职员、爱好喝茶者、其它主办公司为茶会临时凑出来的演出份子、专职或业余舞台演员等,这类艺人不必懂茶,不必会喝茶和爱茶,他们只要扮演好被指定的角色如:该弹琴唱歌时要弹琴唱歌,该沉思泡茶时要沉思泡茶,换句话说,在这种茶艺表演节目中,包括泡茶者也可以是演员,认为他有足够演技演出泡茶者的表情和动作就可上台了。

这时大家没有意识到茶道主题,所以也不会太重视泡茶和茶汤的内涵,就把注意力放在表演者的容貌体态和服装上,因为那是最容易被看得见的「内容」,结果导致目前茶艺表演形成了美女天下,年轻貌美的女演员成为「泡茶者」的主流。

茶道演示则是茶人表现茶道内涵的亲身示范。茶人不但须对茶道理论颇有心得,并且还熟练实践茶道程序:把泡茶场所整理好,茶器摆置好,水和茶叶准备好,用细腻与崇敬的精神通过泡茶奉茶喝茶过程,将茶道意义呈献给品茗者。

茶道演示的要旨:茶人是将自己对茶道的领悟用具体手法示范,不含表演成分。大家注重的是茶人的用心与用神程度、茶人泡茶的专注、茶汤作品的精致,而不是茶人的外表、年龄、身材与服装,要是茶人的泡茶功夫不到家,大家会认为他/她不应、不配,茶人自己也不愿、不敢站在台上做演示。茶人们大多经历很长时间的茶道体验与锻炼,拥有清楚明白的手段和实力告示自己的心得才会做演示,而不是只要外表年轻好看就可以。

茶界有这两种不同的形式来传播和教育是可以接受,它们表现了不同层次的茶文化境界。目前这两种形式都并存在茶界,但它们的不分家、不管它们在较通俗性或较学术性的场合都可一起同台出现的混合做法引导大家误解,以为茶艺表演与茶道演示是相等词。小众不懂得欣赏茶道的,只把中心放在茶艺表演者的年轻貌美与穿着上,如果不表示欣赏他们还担心主办方怪他们不尊重呢。当茶界由得这种看法驾驭时,对要发展茶道内涵的深度将造成很大损失与伤害。

茶界在办茶文化活动时务必要调整心态,先定位好茶艺表演与茶道演示的规格与形态,而且要建立「节目」审评单位,送审过关了才可以上台呈现,不要分配式,或滥竽充数有人要呈现「节目」已经很高兴了。有规格有审评在那里大家知道,是茶艺表演还是茶道演示才不至于闹出笑话。

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無我茶會Sans Self Tea Gathering (Wu-Wo Tea Ceremony)Chapter 12 Promoting Sans Self Tea Gatherings and its Meaning-蔡荣章Rong-tsang Tsai

《無我茶會Sans Self Tea Gathering (Wu-Wo Tea Ceremony)180條》

蔡荣章著Author:Rong-tsang Tsai

ISBN 978-957-9690-08-9,“无我茶会Sans Self Tea Gathering(Wu-Wo Tea Ceremony) 180” ,First edition: 1999.9, Second edition: 2010.9.《无我茶会180条》,1999.9第一版,2010.9第二版.台北陆羽茶艺股份有限公司.2012.05.20修订版.-English Translator : Katherine Yip,英语翻译:叶德明.

Chapter 12  Promoting Sans Self Tea Gatherings and its Meaning

156. How should we promote ‘Sans Self Tea Gathering’?

To promote Sans Self Tea Gathering, the Chinese International Sans Self Tea Gathering Promotion Association has engaged ‘Sans Self Tea Gathering Instructors’ and ‘Teachers of the Way of Tea’ to conduct classes and training at both permanent and ad hoc locations, while encouraging these teachers to introduce systematic ‘Classes on the Way of Tea’ at fixed venues. The curriculum covers not only Sans Self Tea Gathering but also other areas of the study of tea.

157. Incorporating Sans Self Tea Gathering into the curriculum of courses on the Way of Tea

Following the initial efforts in promoting Sans Self Tea Gathering, this unique form of tea gathering has been incorporated into the curriculum of various courses of the Way of Tea. Sans Self Tea Gatherings are organized the world over. 《Sans Self Tea Gathering: Tea Gathering as an artistic manifestation of the Way of Tea》is an elementary textbook for the teaching of Sans Self Tea Gathering.

158. Setting up ‘Sans Self Tea Gathering’ Community Centre

We wish that ‘Sans Self Tea Gathering’ Community Centre can be set up at different places for fellow tea drinkers to attend regularly-held Tea Gatherings. A weekly Sans Self Tea Gathering could be scheduled, and participants may get acquainted with each other before and after the tea gathering. Practices can be held regularly at the Community Centre when it is not used for hosting Sans Self Tea Gatherings. Similarly, the venue can be used for imparting knowledge about tea.

159. The importance of integrity to Sans Self Tea Gathering

The tea ware for Sans Self Tea Gathering can be of any design, which makes it simple for a beginner to put together a tea set for the occasion.  Meanwhile, a complete set of user-friendly tea ware not only boosts one’s interest but also the desire to acquire the necessary items when one has built up his confidence.

It is fine to prepare ten to twenty sets of spare tea ware for beginners for practice purposes, but the students must be asked to acquire their own set when they have reached a certain stage in course of practice.

160. Flexibility and Reach of Sans Self Tea Gathering

Sans Self Tea Gathering is a very flexible form of gathering. It encourages floor seating, thus eliminating the need of tables and chairs. Participants bring along their own tea ware, seating mat and boiled hot water. As such, it is possible to have the tea gatherings both indoors and outdoors.

For Sans Self Tea Gathering, there is no need of any event conductor or leader.  There is also practically no limit to the number of participants — it does not matter if some participants are blocked by buildings or knolls on site, or they spread across miles. Meanwhile, participants can offer tea to onlookers during a Sans Self Tea Gathering if this is intended for the event. For example, if there are 100 participants, and each brews four cups of tea for the onlookers, 400 onlookers will be served; and if each participant brews two rounds of four cups each, they will be brewing a total of 800 cups, which means that 800 onlookers will be served.  If the Organizer has arranged for a presenter, he will brief a substantial number of onlookers the nature of ‘Sans Self Tea Gathering’ and ‘the Way of Tea’ as the event progresses. The reach and spread that can be achieved by a Sans Self Tea Gathering needs no further illustration.

161. How could we highlight the style and characteristics of Sans Self Tea Gathering?

It is important to emphasize the characteristics of a Sans Self Tea Gathering as soon as you begin promoting it.  Make it clear that no one should speak once brewing starts, and there is no arrangement for guests to make speeches, etc. Otherwise, the special style of Sans Self Tea Gathering will be overlooked and undermined. If the Organizer fails to insist on the standard practice right from the start – for fear of the gathering becoming too serious – and allows fellow tea drinkers to engage in conversation while sipping tea and taking snacks, participants will think that there is no difference between Sans Self Tea Gathering and ordinary tea gathering, with the only exception being the loop formation and floor seating. This way, the unique characteristics of Sans Self Tea Gathering will become oblivious in due course.

 

To promote Sans Self Tea Gathering the way it should be, a clear understanding of the practice and meaning is essential. This is the only way to stay true to the format and convince participants and partners.  For example, if a co-organizer requests to have the person-in-charge of their company deliver a speech, explain to him that this is inappropriate. Or, the musician invited for the post-tea performance may think that a five-minute performance is too short and ask for a longer introduction, explain clearly the reason behind this arrangement. Such clarification is important to the promotion of Sans Self Tea Gathering.

162. Why is there no arrangement for VIP seating and speech of attending officials?

There is no special seating arrangement – in the midst, outside or inside the loop formation – for local celebrities or attending officials.  We welcome these guests to draw lots for seating and brewing as other participants. This is every way as appropriate as having these guests seated ‘apart from the rest’. If they are unable to brew with the others but like to learn more about or advocate such tea gatherings, invite them to stay outside of the loop formation and observe or be served tea like the other onlookers.

Likewise, speech-giving by the attending official would clash with the unique style of Sans Self Tea Gathering. Instead, invite the official to brew and serve tea along with the participants. This could be more impactful.  Our experience shows that the official would agree to substitute speech-giving with tea-brewing, provided we explain the procedure and meaning of Sans Self Tea Gathering in details. If he wants to give special  messages during the occasion, the Organizer may suggest to have him do so during the group photo session, or after the tea gathering, or during ‘post event activities’.

163. Why don’t we have background music during a Sans Self Tea Gathering

No music is played or being performed throughout a Sans Self Tea Gathering –  from the time when registration begins to packing up – because it may weaken the ‘flavour’ of such a unique tea gathering and does not serve the purpose of music appreciation.  Some people may think that background music can contribute to the atmosphere; the reality is, music can be a source of distraction; this would be worse if the songs are familiar to us. Without music, we will channel all our attention to tea, brewing, interpersonal relationship and the spirit of the tea gathering. This way, the style of Sans Self Tea Gathering will become more prominent, and the impact of the Way of Tea on everyone present will be stronger.

 

Music can be introduced after the last cup of tea to accentuate the ‘beauty of the void’. At this juncture, everyone at the tea gathering can sit back and listen to the music, while relishing the aftertaste of the tea. If more time for music appreciation is preferred, the Organizer may allocate a longer period for music performance as part of the ‘post-event activities’.

164.  ‘Post-tea activities’ would best be carried out by participants

Organizing a Sans Self Tea Gatherings should be hassle-free.  It is important to keep administration to a minimum; there are no specially-appointed organizing team members – tasks are shared by fellow tea drinkers (with the exception of special tasks such as video filming).  By the same token, it would be best if participants are responsible for post-tea activities. They may stay in their respective places, or move slightly to the side where the musical instrument is, and sing or play a piece of music. This is the easiest way to fulfil the intention of illustrating the ‘beauty of the void’ because the performers are also participants.

165. Organizing a promotional Sans Self Tea Gathering

Any quiet place will be good for a Sans Self Tea Gathering among friends. However, if a Sans Self Tea Gathering is to be organized to create awareness among members of the public, it is advisable to find a popular spot with a lot of traffic. It is essential to have a presenter at promotional Sans Self Tea Gathering; otherwise, onlookers would be at a loss. Meanwhile, it would be more effective to get onlookers warm up to the idea of Sans Self Tea Gathering if they will be offered tea.

To enhance the effect of a Sans Self Tea Gathering where the public will be briefed, prepare a set of written information introducing this form of gathering, including places where those interested can take relevant lessons. It is even better if the Organizer can include a ‘trial’ tea gathering at the end of the tea gathering. Find out how many people are interested, and assign one participant as mentor to each person interested. These mentors would lend their sets of tea ware to the newcomers. As the presenter explains the procedure, the newcomers will practise with the help of their mentors by the side. This is ideal as the newcomers can put into practice – with readily-available tea ware –what they saw and heard a while ago. Pre-event preparation would be necessary. The Organizer should remind participants to bring one extra flask of hot water (or have hot water refill on site), an additional cup (or have paper cups for everyone), and put more tealeaves in the teapot (the same tealeaves can be used for brewing during this trial round).

166. Application of Sans Self Tea Gathering for other occasions

Sans Self Tea Gathering is an occasion when tea is used as a means to get together. It can also be adopted in the following ways:

a. As a teaching method for ‘tea identification’ in the study of the Way of  Tea. For example, the teacher will divide students into groups of four and ask each one in a group to bring along a certain kind of tea. Adopting the format the Sans Self Tea Gathering, each member of a group will serve the tea brewed with tealeaves he has brought along. As the end, each member of a group would have sampled and learned about the characteristic of each of the four teas.

b. As a form of practice for brewing in the study of the Way of Tea.  For example, the teacher will bring along, or ask the students to bring along a particular tea, with which everyone will practice brewing according to the format of Sans Self Tea Gathering. This way, each student will be able to drink four cups of the same kind of tea (assuming each serves four cups) and assess if each cup is well brewed or poorly brewed.

c. As a form of engagement or wedding ceremony.  The time for ‘Tea Ware Appreciation and Networking’ session can be used for the engagement or wedding ceremony, after which the newly-wed couple can brew with fellow tea drinkers.  The bride and groom serve tea to each other’s parents; while other participants serve tea according to the agreed conditions of Sans Self Tea Gathering (The seats of the bride and groom are considered those of non-brewers). ‘Serving tea to onlookers’ is effectively serving tea to guests attending the ceremony.  Post-tea activities could be singing by friends and relatives, and the tea gathering may or may not be followed by a wedding banquet.  What’s being advocated by Sans Self Tea Gathering can be applied to marriage, and adopting the tea gathering as a form of wedding ceremony is both symbolic and appropriate.

d. The tea gathering can also be held in memory of a person.  For this purpose, The time for ‘Tea Ware Appreciation and Networking’ session can be used for ‘paying tribute to a person ’, followed by participants offering their first cup of tea to the subject of tribute. After this, tea could be offered to fellow tea drinkers or other participants of the memorial gathering. Post-tea activities could be chanting or group singing of remembrance. Such arrangement enables the subject of tribute to take the same cup of tea with everyone present – and ‘drinking literally from the same cup’ makes the occasion so much more touching and memorable.

167. Sans Self Tea Gathering’ in English, Japanese and Korean

Sans Self Tea Gathering is known as 「無我茶會」in Chinese, Japanese and Korean, as  the Chinese-, Japanese- and Korean-speaking  audiences can readily recognized the term. In English, this unique form of tea gathering was first translated as Anatman Tea Convention, followed by Wu-wo Tea Ceremony. In spring 2012, we decided to rephrase it to ‘Sans Self Tea Gathering’, given the fact that the tea gathering celebrates the realization of , literally ‘the absence of’ or ‘void’. ‘無我’ should be understood as ‘I who understand the idea of nothingness’. Sans, an archaic French word meaning ‘without’, has been made popular by some of the greatest literary works through the ages, including William Shakespeare’s comedy “As You Like It”. To call it a tea gathering, instead of a tea ceremony, is to better reflect its nature as the founders see it.

168. What is the International ‘Sans Self Tea Gathering’ Organization?

Tea drinkers in different countries and regions have undertaken to promote Sans Self Tea Gathering. They take turn to host large scale ‘International Sans Self Tea Gathering’ at regular intervals at agreed locations. The Organizer of an international Sans Self Tea Gathering is the Sans Self Tea Gathering Organization of the country or region. The Leaders’ Convention of an International Sans Self Tea Gathering is the occasion when member organizations of the International Sans Self Tea Gathering Organization meet up to discuss issues pertaining to the promotion of Sans Self Teat Gathering and the host of the upcoming event.

169. Is there a need of a standardized flag and anthem for the Sans Self Tea Gathering?

We had introduced a flag and an anthem for Sans Self Tea Gathering when it was first launched. These are still used in certain countries and regions. However, they have not been stated as the standardized flag and anthem, because we do not regard this an important issue.

170. What is the meaning behind ‘Sans Self Tea Gathering’ ?

‘Sans Self Tea Gathering’ is a way of thinking and a form of tea gathering pertaining to the study of tea. ‘Sans Self’ should be understood as ‘I who understand the idea of nothingness’. Only in the state of ‘nothingness’ can ‘something’ be born. One can hardly attain wellbeing if one’s mind is preoccupied with wealth, fame, status, beauty and endless chores. The state of nothingness is neither a state of ignorance nor death.  An analogy of such a state will be the colourless light which is effectively a convergence of different colours. The colours in our life are distilled by ‘tea’; this enables us to enter into a state with an ‘absence of colours’.

171. Sans Self Tea Gathering for one to thousands and millions of participants

Sans Self Tea Gathering may have begun with one person.  When a person brews and enjoys tea with no disturbance or distraction, it is more likely that he can savour the taste of tea, understand the brewing process, contemplate how a brewer’s state of mind affects the taste of tea, calm himself and come face to face with his true self. In fact, we encourage everyone to take tea alone, and look upon this as the basis of the Way of Tea.

When you have a clear idea of what it is like having tea on your own, you may invite your closest friend and ‘have both drinking tea alone’ –  the two of you will brew tea on your own, serve each other tea, all in silence. A deeper understanding between you two can be achieved in the course of brewing, serving and drinking tea. As distraction is kept to the minimum, you will understand each other better. You will be able to experience more and learn the way to staying quiet in others’ presence. When you have achieved an understanding of a state of nothingness in the presence of another person, you may proceed to invite a small group of three to five good friends, and introduce them to this way of having tea. Practise the Way of Tea together in the spirit of ‘emptiness and solitude’. Feel the tranquility and freedom in the midst of a larger group. This way, the number of people for a Sans Self Tea Gathering can reach thousands and millions.

 

  (2254)

無我茶會Sans Self Tea Gathering (Wu-Wo Tea Ceremony-Chapter 11 Pre-event Preparation and Things that Matter to the Organizer -蔡荣章Rong-tsang Tsai

《無我茶會Sans Self Tea Gathering (Wu-Wo Tea Ceremony)180條》

蔡荣章著Author:Rong-tsang Tsai

ISBN 978-957-9690-08-9,“无我茶会Sans Self Tea Gathering(Wu-Wo Tea Ceremony) 180” ,First edition: 1999.9, Second edition: 2010.9.《无我茶会180条》,1999.9第一版,2010.9第二版.台北陆羽茶艺股份有限公司.2012.05.20修订版.-English Translator : Katherine Yip,英语翻译:叶德明.

Chapter 11 Pre-event Preparation and Things that Matter to the Organizer 蔡荣章Rong-tsang Tsai

144. The opportune time for a Sans Self Tea Gathering

  1. For Learning:  As a channel for those who want to familiarize themselves with the Way of Tea.
  2. For Personal Improvement: As an invaluable opportunity for the betterment of oneself.
  3. For Highlighting Seasonal Changes: As a reminder of the changes in nature in tune with the seasonal cycle, e.g. when maple leaves turn red, when snow falls deep in the night, when plum blossoms are in full bloom….
  4. For Celebration: As a form of celebration, be it wedding anniversary, special anniversaries, career promotion, windfall, and any other occasions that call for celebration.
  5. For Commemoration:  As an occasion dedicated to a special day; to bid farewell or to pay tribute to someone.
  6. For Promotion: As a great platform to introduce the idea of Sans Self Tea Gathering and encourage more people to join.

145. How should we name a Sans Self Tea Gathering

With the exception of Sans Self Tea Gatherings organized for the sake of practice, each gathering could be given a name for easy reference and a clear focus on the theme. It should reflect the objective – for example, ‘New Leaves of Spring” Sans Self Tea Gathering held in a budding beech-maple forest as a reminder of the arrival of spring; ‘Breaking Dawn’ Sans Self Tea Gathering for sharing the experience of a moment at daybreak; or ‘Familial Bonding’ Sans Self Tea Gathering held on Mother’s Day to reiterate the strong tie between parents and children.

146. Reconnaissance

It is important for the Organizer to carry out a field visit before or after decision is made on the venue. This will shed light on the following:

a. How many people can the place accommodate? What kind of seating plan should be adopted? How flexible it is with regard to the number of seats?

b. Contingency plan for rainy day or bad weather

c. Routes, aisles and registration counter on site

d. Position of the audio console and amplifiers and sound effect, if required

e. Arrangement for the arrival of participants and parking

f. Facilities including lavatories

g. Movement and traffic of non-participants and possible crowd interruption

h. Control of lighting for evening event

i. Location for post-event group photo session

j. What kind of ‘Post-event Activities’ can be lined up?

k. How large should the signage be? Is it necessary to prepare some directional signs for the venue?

147.  Which tasks are to be handled by specific personnel during the preparation and when the tea gathering is in progress?

The ‘Task List’ featured in the ‘Notification’ ensures that the persons involved are aware of their respective tasks and their contribution to successful event organization acknowledged. This ‘simplified’ way of announcement does away with separate notification and printing materials.

The ‘Task List’ details the tasks before and during a Sans Self Tea Gathering, and those responsible for these tasks. The list would include: The Organizer, the Convener, Venue Committee (which handles seat arrangement, seat number plates, seating plans, directional signs and audio setup, etc); General Affairs Committee (which is responsible for signing-in, time-synchronizing, drawing of lots, distributing tea cups for onlooking guests and stamping of passbook, etc); Networking Committee (which helps participants get to know each other and welcomes members of the media); Social Committee (which takes care accommodation, dining, transportation and health concerns of participants, especially overseas participants, as well as taking charge of on-site order and security); Record Committee (which is in charge of video filming, photography and recording of the Tea Gathering); Post-tea Activities Committee (which organizes post-tea activities);and Post-event Activities Committee (which is responsible for the arrangement of post-event photo session and post-event activities).

148. Who are the members of the Organizing Committees?

It would be ideal to have participants helping out. This way, they can move on to brew tea with the others when their tasks are completed.  However, large-scale Sans Self Tea Gatherings would require video recording crew and photographers.  It may also call for a dedicated service desk to attend to urgent matters throughout the event, or security personnel keeping order at the venue.  In these cases, it is necessary to hire professional assistance.

149. How to inform participants of the procedure of the tea gathering (preparation of the ‘Notification’)

Prior to a Sans Self Tea Gathering, each participant will receive a ’Notification’. Besides the ‘Task List’, the ’Notification’ also specifies the following: name (theme) of the tea gathering, date and time, venue, number of participants, matters pertaining to brewing  (including number of cups to be served, number of teas to be brewed and rounds of brewing), serving method (including the parties to be served, and whether onlookers are to be served), seating arrangement, post-event activities, procedure of the tea gathering and the contingency plans for rain and wet weather.

The procedure should specify both the ‘time’ and ‘procedure’, including the starting time of venue set up, participants signing-in, tea ware appreciation and networking session, brewing, post-tea activities, packing up, group photo session, post-event activities as well as the end of the post-event activities.

Inclusion of the name of companies, organizations or political parties; occasion; trade name of teas and the tea production areas in the name of Sans Self Tea Gatherings is considered inappropriate. The same goes with tea gatherings dedicated to a particular type of tea. The exception would be tea gatherings held in memory of or as a tribute to a person. This is to ensure that the tea gatherings would not be abused and turned into advertising time.

In principle, there should not be any restrictions with regard to the choice of tealeaves, unless for special reasons, such as for commemorative tea gatherings. In such cases, non-commercialized names such as ‘non-fermented teas’ or ‘post-fermented teas’ could be included in the name of the gathering.

As for ‘other agreed-upon matters’, there should not be any restrictions on the tea ware and brewing method, as well as particular style of clothing.

  Sans Self Tea Gathering: Notification                                                              No:

Name of the Tea Gathering

Date and Time

Venue

Venue                      (for rainy weather)

No. of participants

No. of types of tea

Number of cups

No. of brews for each tea

Serving method

Other agreed-upon matters

Post-tea activities

Post-event activities

Procedure

Task list

Venue set-up begins

The Organizer

Participants registration and seating allocation begins

The Convener

Followed by

‘Tea ware and networking’ session begins

Venue Committee

Brewing begins

Signing-in Committee

After the last brew has been taken ’Post-tea’ activities begin

Lot Drawing Committee

Followed by

Packing up

Networking Committee

Followed by

Group photo session

Social Committee

’Post-event’ activities begin

Record Committee

’Post-event’ activities end

Post-tea Activities Committee

Post-event Activities Committee

‘Pre-event briefing and tea-brewing practice’

Date, time, venue and instructor

Person in Charge

Telephone No.

E-mail

(Contact information of The Organizer)

150. How could we explain to participants the spirit and procedure of the tea gathering (Organizing the ‘Pre-event Briefing’)

Enabling participants to fully understand the spirit and procedure is a prerequisite to a successful Sans Self Tea Gathering. Information about Sans Self Tea Gathering may have been imparted during tea culture classes; however, it is absolutely necessary to host a ‘Pre-event Briefing’ for first-time participants. While the participating groups may brief their members, dedicated briefings could also be put together by the Organizer.  Such ‘Pre-event Briefings’ should be clearly stated in the ‘Notification’, along with details of the date, time, venue and instructor.

It will be best if demonstration and practice could be arranged besides verbal presentation during the Pre-event Briefing.  Tea ware could be brought along by the participants attending the training, or provided by the party responsible for the training.  However, participants must bring along their own tea ware when they attend the Sans Self Tea Gathering, after which they can use the tea ware in their daily lives.

151. How to make sure preparation is in place before the tea gathering? (The use of ‘Task Checklist’)

Prepare a checklist with details of each task for pre-event preparation to avoid  oversight.

         Sans Self Tea Gathering: Task Checklist

NO.          Description           Remarks  Checked

1

Venue Planning

2

Notification (including details of each task)

3

Pre-event Briefing

4

Audio Equipment

5

Signage (name of the tea gathering, directional signs, etc)

6

Number of Participants and Seat Control (projection of absentees)

7

Seating and Serving non-brewing participants

8

Seat Number Plates

9

Venue Boundary Markers

10

Seating Plan

11

Sign-in Book at the Registration Counter

12

Paper Strips for seat numbers and signing

13

Time Synchronizing Tools

14

Identification Tags

15

Venue Coordination

16

Guest Reception and Social Networking

17

Post-tea Activities

18

Post-event Activities

19

Post-event Venue Clear-up

20

Announcement and Briefing at the Group Photo Session

21

Contingency Measures for rainy weather

22

Cup Position Indication Plan for a commemorative Sans Self Tea Gathering

23

Cups for the Onlookers

24

Distribution of Promotional Leaflets

25

Coordination with the Presenter

26

Keeping Order at the Venue

27

28

29

30

31

32

33

 

152. Record of the Tea Gathering

Compile a record of the Sans Self Tea Gathering for each ‘Organizer’. Each record should include basic information about the tea gathering, registry, key photos or video recording.

Revise, amend and make addition to the original ‘Notification’ to come up with the basic information about the tea gathering.  Affix the signed strips of paper in a book according to the order of the numbers to produce a registry.

153. How to control the number of participants

The Organizer should have kept a detail record of each participant’s name, organization and contact telephone number, regardless of the fact the person registers on his own, or as part of a group. A rough estimate on the number of participants does not suffice. Furthermore, information of participants will have to be verified one by one when the date of the tea gathering draws near. Identification tags, if used, can be issued to the individuals once the personal information is confirmed to alleviate the workload at the registration counter on the day of the tea gathering.

If participants have to pay to attend the tea gathering, try to collect the fees prior to the tea gathering when they sign up, and issue identification tags accordingly when payment is made. The Organizer must think of a way to make it convenient for participants to make payment beforehand; payment on the spot is not only likely to cause delay but also makes it hard for the Organizer to control the number of participants.

154. How much time should be allocated to each step of the procedure?

Time allocated for signing in depends on the number of participants and tasks involved. A large gathering would require more time (in this case, the Organizer may consider setting up a few lot drawing stations). A paid event with an extensive task list and accommodates on-the-spot registration (whereby participants did not sign up before the day) will naturally call for longer time; all the more if cups for onlookers are to be distributed to the participants when they sign in. As such, time allocated for signing-in needs to be adjusted accordingly. Nevertheless, try to finish it within half an hour even if it is a tea gathering with a thousand participants – otherwise, the entire tea gathering may seem to drag on too long.

For the duration for the ‘Tea ware Appreciation and Networking’ session, the Organizer may want to consider the number of participants and if they know each other well.  If the group is small, and degree of familiarity high, it does not require a long time – 20 minutes or less for not more than 50 people is about right. If participants are not familiar with each other, and come from different countries or regions, the duration may be extended to 30 minutes. However, if there are hundreds of participants from overseas, it is not practical to calculate the allocated time on this basis as appreciating tea ware alone may take up a lot of time. Try to limit the duration to 50 minutes to avoid having the tea gathering last for too long.  For a tea gathering with 20 to 30 friends who get together often, a 10-minute session is good enough; ‘sitting quietly’ for a few minutes could be an alternative.

For a tea gathering serving three rounds of tea, 20 minutes would be enough for brewing and serving. This could be extended to 30 minutes if the gathering serves four rounds of tea, two each to onlooking guests and fellow participants.  The environment rather than the ‘number of people’ is a major factor in this case.  For example, it will require a longer duration if the tea gathering takes place at a scenic spot with more space in between seats; by the same token, the duration could be shortened if the tea gathering is held indoors in a small, enclosed venue.

Five minutes could be the norm for the duration of ‘Post-tea activities’ regardless of the number of participants – a duration any longer than this may undermine the impact of the ‘beauty of the void’ after tea is served and taken.

For a tea gathering with no more than 50 participants, allocate five minutes for packing up. Make it ten minutes if there are more than a hundred participants.

All in all, a Sans Self Tea Gathering should be over in an hour regardless of the number of participants. We do not encourage one that drags on – for an exceptionally large-scale event, it should not exceed two hours.

155. How to identify participants of a Sans Self Tea Gathering?

Identification is not a cause for concern among a small group of friends meeting up for a Sans Self Tea Gathering.  However, it becomes a reason to worry if the tea gathering is meant for a large crowd, or participants unfamiliar with each other. Use identification tags which have the added benefits of breaking the ice among strangers.

  (1944)

茶道艺术家精炼功夫 五. 如何让品茗者专心品茶-20130812周一喝茶慢-许玉莲

茶道艺术家精炼功夫

. 如何让品茗者专心品茶

许玉莲

20130812周一喝茶慢MONDAY SLOW TEA

「茶汤作品欣赏会」的举办,是要安排一个专门的地方来品茗(包括茶席设置、泡茶、奉茶),就彷如人们也去听演奏、去欣赏画作的一种艺术爱好。品茗会中的「茶」成分含量高达百分之百,就是为了「茶」而来,故此人们都会为了「茶」而努力,除了茶席、茶具、茶叶、水、茶法直接影响茶的事物要完善以外,细节甚至包括不要有多余器物、手势、色彩、气味、声响的干扰,以便专心一致品茗。

这和某个活动为庆祝开幕、公司为庆祝佳节、茶界为了推广茶叶商品上市、或大家到林园赏梅花开了庆祝好天气的「茶会」是不一样的。后者之茶会中的「茶」含量相对的弱,人们举办和出席这类茶会另有社交、露脸、广宣、给面子、谈生意经、认识新朋友、叙旧聊天等其他目的,茶并不是人们在乎的对象,完成交际和交流才是相对重要的事。

也有另一种以茶为媒介,但重点放在空间的「装置艺术」以及在这空间里的「人结合其他艺术的演出」的「茶会」,那与我们要说的「茶汤作品欣赏会」里的「茶」成分并不一样。

有些泡茶师以为要吸引品茗者的注意力,莫不如将珍贵的茶器都摆上茶席吸睛。披挂一身「戏服」如将军袍、皇妃袍来震慑现场。把泡茶动作做得夸张一点。加一段故事进去泡茶的过程。这样就不怕品茗者不专心看了。若然这样,就属于「茶艺表演」了,不算「茶汤欣赏」。

「茶汤作品欣赏会」泡茶师要如何让已经养成错误「茶会习惯」的茶友进入「茶汤作品欣赏会」要的品茗状况?泡茶师不能把品茗会想要达到的目的变成一套书面规则比如:「勿喧闹聊天」、「尊重泡茶师」等字条张贴就可达到预期效果,也不是拿着麦克风一直指令:「安静、专心」,茶友就可以安下心来品茗的。这些流于表面的、浮躁的举动让品茗者更骚动。

预先邀约品茗者出席是必要的,让他们知道这场品茗会是什么形式、所需时间等资讯,以便品茗者可充分安排自己当天的约会行程,安排好一些事务才放松心情参加品茗会。开始和结束要守时,人们的生活才不会因为品茗而被耽误,也就无须那么紧张兮兮的了。泡茶师要锻炼规划的能力,笃定的把整个过程按部就班呈现,不要把「泡茶」看得太随便,泡茶师要训练不对的时间不泡茶的坚持。

品茗空间可大可小、可以在户外或室内,重点不是那处地方有多美的风景或布置,泡茶师要做的是付出真心来做,要先感受品茗者的感受,比如当天气候炎热,提早准备一个清凉的环境,有适温的饮品做接待,化妆间要干净、提供面巾使用,让大家整装待发。别用发热的照射灯照在人们的头顶、脸上。泡茶师要锻炼到有洞悉能力,在他人未说之前已万事俱备。

泡茶师要学习各方面的艺术、美术、科学等知识,这样才有办法辨别其中品质如何,知道怎样爱惜手上的茶器、茶叶。那不止泡茶席上的事物,那还包括泡茶师知道要怎样把头发梳理好、把手维持干净、把衣服穿好,泡茶师要有「锻炼一丝不苟」的精神。

泡茶师了解茶、物、人要够深,够柔软,他知道要怎么做才能将「茶汤作品」创作得最好的面貌,并且将之做出来让人们看到、嗅到、尝到。够深刻,泡茶手势才不会机械化,有些泡茶师动作虽熟练,但仍然觉得他刀斧味重,因为他眼神焦虑,肢体僵硬,那是生吞活剥的交差。够柔软,泡茶师才不会时刻带着审判之心泡茶,泡茶师不但了解、并很容易就可以说出每个茶的特性以及很轻易就泡得很好喝,他享受和茶溶为一起,他享受泡茶给别人喝。

如有这样的泡茶师往茶席轻轻一站,所有的人都会静下来,安心专心等茶喝。

  (1791)

职业高校的茶文化专业-20130703周三小方块-蔡荣章

职业高校的茶文化专业

蔡荣章

20130703周三小方块 WEDNESDAY TEA CORNER

如果茶文化系与茶叶加工系同时并列讨论,茶叶加工系的核心是茶叶制造,茶文化系的核心是茶叶饮用,前者的任务是将茶青制成可泡来饮用的成品茶,后者的任务是将成品茶冲泡成可饮用的茶汤。现在我们只谈茶文化系,难道只是将成品茶冲泡成可饮用的茶汤就是茶文化系的任务了吗?当然还包括茶叶、茶具、文化的应用、推广与销售。

依上面的理念说来,茶文化系的中心是茶,是偏重于可饮用的成品茶,但在对成品茶的认识、应用与谈论茶的文化性时是包括茶树与茶青的,所以我们说茶文化系的课程中心是〝茶〞而不是说〝成品茶〞。所以在课程安排上会有茶叶加工这门课,只是没有进一步再细分成绿茶加工、乌龙茶加工、红茶加工、普洱茶加工而已。

茶文化系课程中心点的茶是包含着茶汤、泡茶、茶器、奉茶、品饮、茶食、环境等的大〝茶〞。这个大茶要依靠什么课程来表现呢?要有十大泡茶法来作技术的支撑,要有五大茶会形式来提供给大家享用,茶法与茶会就形成了支持这个茶核心的二大平台。十大茶法的基础课程是制茶(即茶叶加工)与识茶(即茶叶审评),五大茶会的基础课程是插花、香道、空间设计、舞蹈等。

十大泡茶法与五大茶会形式是漳州科技学院(原天福茶学院)创校时茶文化系提出的核心课程,十大泡茶法包括小壶茶法、盖碗茶法、大桶茶法、含叶茶法、浓缩茶法、旅行茶法、冷泡茶法、泡沫茶法、抹茶法、煮茶法。五大茶会形式包括茶席式茶会(如茶汤作品欣赏会)、宴会式茶会(如庆祝茶会)、流觞式茶会(如曲水茶宴)、环列式茶会(如无我茶会)、礼仪式茶会(如四序茶会)。

在有能力把茶泡好,有能力利用各种茶会形式将茶呈现给别人后,茶文化系的学生就要进一步将茶的文化、艺术、思想、道德传播给大众。他用以传播的媒介是茶,是包括茶汤、泡茶、茶器、奉茶、品饮、茶食、环境所构成的大茶,他要藉着这个媒介传播给大家的是茶的文化历史、是茶道艺术、是茶道空寂精俭与无的思想、是清和利他健康的德性。系里开设的历史文化课程、音乐美术陶艺文学课程、哲学宗教课程、伦理医药课程,都是培养他们从事文化、艺术、思想、道德传播所需的基本功夫。把茶泡好,有能力利用各种茶会形式将茶呈现给别人后,他就可以进入职场销售他的茶叶与茶汤,如果进一步能将文化、艺术、思想、道德藉着茶叶与茶汤介绍给别人,他就拥有把茶的事业经营得更好的条件。

漳州科技学院茶文化系安排有培养学生传播茶文化、茶艺术、茶思想、茶道德所需的课程,其中茶艺术的单元是特别要将茶的美学內涵突显出来,将泡茶、奉茶、茶汤视为一种媒介来显现茶道艺术。老师们要求的是泡茶的美、茶汤的美,这些课程不只将学生陶冶得有品味,在学生获得泡茶师的能力之后,可以修炼成茶道艺术家,他就可以举办茶汤作品发表会,他就可以开设有泡茶师为客人泡茶的品茗馆。

漳州科技学院是所职业高校,他的茶文化课程是以应用于职场为目标,太多的学术课程如深入的茶文化史、纯茶文化学、专业的茶叶化学、哲学性质的美学是来不及开设的,但在泡茶的理论基础、美学的正确概念、器物对茶汤与艺术表现的关系、泡茶基本功夫、茶会举办能力是要下足课时量与成本投入的。

 

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成本组合方式影响茶业发展-20130612周三小方块-蔡荣章

成本组合方式影响茶业发展

蔡荣章

20130612周三小方块 Wednesday Tea Corner

茶叶订价包括茶青(即鮮叶原料)的价格与成品茶的价格,成品茶的价格又包括初制茶与商品茶的价格,商品茶的价格又包括出厂价、批发价与零售价。

影响茶青价格的因素有产地(包括地理位置、海拔高低、土壤与施肥等)、气候(长年的气候与采收期的气候)、品种、采摘季节、采摘时辰(如清晨、露水干后、黄昏)、采摘方法(如机采或手采)、采摘部位(如只采芽心、采一心一叶、一心二叶、一心三叶—-)、采摘品质(如老嫩整齐度、茶梗与茶面破碎度)等。

影响初制茶价格的因素有制茶时之气候(包括温度、湿度、风力、风向等)、制茶的技术与设备等。

影响商品茶价格的因素有精制(如分级、揀梗、后熟等)与加工(如熏花、焙火、拼配、紧压、陈化等)的技术、包装等。

影响商品茶之零售价的因素有卖场位置、店面装潢、营业员素质等。

现在市面上茶叶专卖店的茶叶品项有一半以上是属于高价的,这些高价的成本显现在哪里呢?大家很直觉地会说都花在包装与店面的装潢了。过度的包装是种浪费,即使礼品茶也要适可而止,过度的装潢亦复如此,但这是现今茶业界最舍得花钱的地方。着眼于茶业长期发展,我们要将成本多花一些在茶树的栽培、制作的人力与设备、营业员的素质上。

选择较佳的种茶地理环境、使用自然的给养方式(如堆肥等有机肥料)、利用生态平衡与非农药的防病虫害手段等,是多花成本在茶树栽培的方法。聘请有能力的制茶师、建设合乎卫生要求的厂房是多花成本在制茶上的方法。聘请经过专业训练且有语言表达能力的营业员(尤其在非使用华语的地区)是多花成本在营业员上的方法。

采取自然农法的栽培方式、建设合乎卫生要求的初精制与加工厂房是改善成品茶卫生与农药残留的根本之道。这也是目前大家最关心的问题,事实上也影响着成品茶的品质,尤其是栽培的方式。所以茶业界应该放大优质茶青的收购价格,也就是给予原料更多的成本空间。

如何推销茶叶,或说是如何卖茶,关乎到茶饮给广大消費者的形象。经过专业训练(包括学校教育与企业自己的培养)的营业员才能够把茶泡好、教会顾客如何泡好茶、将茶的欣赏法将茶的文化性与艺术性介绍给客人,如此,茶的真正价值才得以显现。如果是非华语地区,还得考虑当地的语言能力。所以茶业界应该放大专业营业员的聘用薪水,也就是给予行销人力更多的成本空间。

現在看到的是将成本大量投向包装与店面,舍不得花在茶的卫生与安全、舍不得僱用经过专业训练的员工,结果茶的卫生与安全改善缓慢、茶的品质逐漸下滑(因前面第一个舍不得),学校茶文化或茶学专业毕业的学生在茶叶卖场待不住(因前面第二个舍不得)。

有人会说漂亮的包装与气派的装潢容易见效(赢得业绩)、茶的卫生与安全不易看到、品质的逐漸下滑不是我一家的事、营业员的专业知识不如会做生意重要。但是社会总是往前进步的,消费者要求的会逐漸驱向于专业,能及早往此方向布局的茶企业容易获得消费者的信赖。

 

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泡茶师进场与退场的规矩-20130610周一喝茶慢-许玉莲

许玉莲

泡茶师进场与退场的规矩

许玉莲

20130610周一喝茶慢MONDAY SLOW TEA

泡茶师为客人掌席泡茶呈献茶汤作品的品茗会,泡茶师要有进场与退场的规矩。茶会开始前把茶席设置完毕,让泡茶师等在席上至一位一位客人入座了才开始泡茶不是一个好办法,那是接待负责带位、公关负责寒暄的工作。泡茶师在泡茶前将茶席整装完毕就到后台休息,直至被主持人请出—-如果泡茶师独自一人入席即开始泡茶,这样子有点生硬,与物与人的感情还没投入似的。

泡茶师的进场,不是说把进场仪式包装得有声有色、音乐响起就够了,也不是拿着一盘漂亮的花、提着一盏古董灯风姿绰约走入茶席就完了,这些动作与茶无关,对品茶一点帮助都没有。

泡茶师要怎么进场呢?品茗环境打扫、布置好后,摆上泡茶桌、椅子、储存柜子、屏风等(如有),泡茶桌如有桌巾可铺上,将煮水器摆放在妥当位置,辅茶器如茶匙、杯托、茶巾等也布置好,茶席设置至此可告一段落,就等来宾入座。时间到了,泡茶师要很郑重的拿着此次茶会的主茶器进场,可作以下安排:将主茶器如壶、茶海、杯子、茶叶(装好在茶罐)收入一托盘或篮子,用恭敬的心请它们进场。

茶器收纳要有一定上下或里外次序,根据要摆放的前后时间决定它的位置,如壶垫要放在最外面,接着才是茶壶以此类推,这样从盘或篮子把茶器取出时就不会乱,第一从最外面取出壶垫,放在茶席,第二取出茶壶,置放壶垫上,壶若有布袋包裹,小心打开取出后,把布袋折叠整齐收回篮子里。一件一件取出置放茶席上,应摆在最远位置的茶具要先从篮子里取出,依序从远至近,都放好了收下篮子,最后备水煮水,这样一步一步进入泡茶状况,牵动着品茗者的心慢慢专注在茶道上,那才叫美呢。

退场要怎么做?品茗到最后,清水也喝了,茶渣也看了闻了,将器具做初步清理,取出装主茶器的篮子,依序把壶、茶海、茶杯、茶罐等一一收进去,站起来将篮子收进去(后台),再出到茶席来,与大家鞠躬,告知大家结束了。有这样子一丝不苟的前后呼应,有这样子对茶对人的依依不舍,那才叫好呢。

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泡好一壶茶的信念-蔡荣章

泡好一壶茶的信念

蔡荣章

201302《海峡茶道》月刊专栏

我们说茶文化、茶道、茶道艺术、泡茶师、茶道艺术家、茶汤,都是要以茶为核心,因为脱离了茶,或是离茶太远(即涉茶的成分太少),就跑到别的领域去了。如果说茶文化,那是包括上游的种茶、制茶到中游的卖茶,下游的喝茶。如果说茶道,就把重心移到成品茶,再加上茶与人、茶与社会的关系。如果说茶道艺术,那就只关注到泡茶、奉茶、品茗的内涵与形式。如果说泡茶师,那是特别强调泡茶的技艺。如果说茶道艺术家,那是在泡茶、奉茶、品茗间注入更多的艺术成分。如果说茶汤,那就专指茶道艺术家最终完成的那杯茶。

上面所说的茶文化各各范畴,不但要以茶为核心,还有一个共同的基础,那就是要把茶泡好。这句话大家或许不容易理解,但是大家想想,如果茶泡得不好喝,大家不喜欢喝茶,自始茶文化就不会形成,茶了不起只变成一种药物或营养品、食品添加剂。至于茶文化里的茶道、茶道艺术、泡茶师、茶道艺术家、茶汤,更是一层比一层更依赖〝泡好一壶茶〞。到了泡茶师、茶道艺术家、茶汤,几乎等同于〝泡好一壶茶〞。

泡好一壶茶有三个不同的层次,最起码的层次是泡得人们喜欢喝。有些茶是别人为了情面勉强喝的,有些茶是别人听说茶有益健康、茶是高雅饮品而喝的。第二个层次是泡得色香味都非常丰盛,别人端上手就被吸引住了。第三个层次是把茶性表现得很到位,诸如品种风味、地理环境、土壤特性、成长岁月,甚至适当冲泡器对该泡茶的影响、泡茶者个人对该泡茶的理解与感情。谈到茶文化、茶道,最少要做到第一个层次,谈到茶道艺术、泡茶师,最少要做到第二个层次,谈到茶道艺术家、茶汤作品,就得做到第三个层次。

泡好一壶茶包括把身体弄干净、把手洗干净、选配适当材质的壶盅杯等用具、处理好要用的水、将茶看个仔细、将心情平静下来。这些都是泡好一壶茶应有的基本素养,不论是茶的爱好者还是茶文化工作者,不论是泡茶师还是茶道艺术家,平时都要有这些积累,而且随着自我期许的增高逐步要求得精致。

泡好一壶茶是喝茶人、茶文化工作者、茶人应有的信念,因为一切茶的大道理都要以它为起点,而且起点有多高才能谈多高的道理。这个信念是什么呢?就是只要泡茶就非得要把茶泡好不可。就像现场挥毫的书法家或画家害怕一下手就失败,就像音乐家害怕一上台没能把曲子弹好唱好一样。但是现阶段的茶者缺乏这种警觉,为什么呢?因为我们没有把茶道或茶道艺术的〝呈现着力点〞放在茶汤上,我们依赖着太多茶席桌布、插花、音乐、服饰、肢体等来分担茶道表现的效果(然现场挥毫者、台上的音乐家没有这些依赖)。如果大家的眼睛与注意力都放在泡茶者的泡茶、奉茶、茶汤上,我们就不得不随时担心是否把茶泡好了。

泡好一壶茶的信念还不只是技能的,还是态度的。茶没泡好怎能端出去给别人喝?自己也不能喝这样的茶。厨师也懂得这个道理,炒得太咸的菜、没炖好的肉是不可以端出去给客人吃的,自己也不能吃这样的菜。

泡好一壶茶的信念还包括泡的是好茶。做得不到位的茶、做得不卫生的茶不可以泡给别人喝,也不可以泡给自己喝,唯有这样,茶文化才有益于人们的身心。我们也要以这样的信念导使人们做出好茶、做出合乎卫生安全的茶。(2013.01.11)

 

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茶艺与才艺-20130410周三小方块-蔡荣章

茶艺与才艺

蔡荣章

20130410周三小方块WEDNESDAY TEA CORNER

现在所说的茶艺是指泡茶技艺,茶艺在茶文化的领域里是属于泡茶的部分。将泡茶说成茶艺的人是有意将泡茶提升到艺术层面的,但是实施这三十年来(从1980年茶文化复兴开始算起),很多人并没有抓住茶艺的主体,而与才艺有了混淆。

我们看到有些单位举办茶艺比赛時会安排选手做些才艺表演,如自选唱歌、跳舞或弹琴,认为多才多艺是加分的项目。我们还发现很多人一开始学习泡茶就非常热衷于茶席设计,到处收购桌巾、茶具、摆饰,学习插花、焚香,学习优美的泡茶动作。

多才多艺可以让自己活得多姿多彩,但不是艺术学科里所讲求的,艺术要求专精,要求善用自己的媒体。如文学家要善用文字描写太阳西下的美,而不能说〝美得无法用文字形容,请看下面的这幅照片。〞茶道艺术应用的媒体是泡茶与奉茶的动作及泡成的茶汤,不能说了一大堆茶禅一味与和谐之饮的道理就成就了茶艺,摆设了精美又富创意的茶席、做好了优美的泡茶动作就说完成了茶道的艺术。

茶艺也好,或说是茶道艺术,它的最终作品是茶汤。虽然我们也可以将泡茶与奉茶的动作与茶汤绑在一起当作茶艺的主体,但最核心的价值还是在茶汤。难道去掉了茶汤,光是泡茶、奉茶就可以算是茶艺了吗?我们看到有些单位在茶艺培训時不给茶叶,只是用白水倒来倒去,训练动作而已。

这样的观念还可以从绘画艺术中获得:我们看到一位画家,精心布置了画室,仔细摆设极为专业的画架,一管管名牌的油画颜料排列有序,画笔一根根都像上了膛的枪枝,自己穿好了围兜戴上了鸭嘴帽,坐上画架旁开始作画。看到这里,有些人认为看够了,接下来还不就是画一张他习惯的抽象画,退下不再观赏了,有些人耐心地看下去。画家习惯性地草草画了一张似曾相识的作品结束了。就先行退下的观众而言,前半段好像比后半段的作画有看头,就继续观看的人而言,觉得绘画艺术不应该如此,前半段的准备虽然也可以与一笔笔作画的过程视为绘画艺术的一部分,但我们重视的应该是画家完成后那幅画的质量。

最近有个2013年职业院校技能大赛高职组“中华茶艺技能”竞赛考核内容是这样的:茶艺表演占总成绩80%,茶艺理论占总成绩20%。茶艺表演的成绩评判标准为 a.茶艺演示:分值35分(占44%),b.茶汤质量:分值12分(占15%),c.仪容仪表、礼仪:分值10分(占12.5%),d.茶席布置:分值10分(占12.5%),e.茶艺创意:分值10分(占12.5%),f.时间掌控:分值3分(占3.5%)。从这样的评比设计可看出目前很多人的观念还是将泡茶奉茶的动作视为茶艺的重心,茶汤泡得好不好只占15%的重要性。

如果我们说一幅画在绘画艺术里只占15%的重要性,其他要放在画画的过程、画家的风采、画室的布置、绘画手法的创新上,艺术界不知道要怎么说我们。

  (2285)

我们期待怎样的茶艺师证照-20130403周三小方块-蔡荣章

我们期待怎样的茶艺师证照

蔡荣章

20130403周三小方块WEDNESDAY TEA CORNER

我要考茶艺师证照吗?

这要看您的需要,如果您想在中国茶界找一份工作,有这样一张证书是多少有点帮助的,如果不是为求职而只是兴趣于泡茶,倒可不必。

为什么说在中国找一份茶界工作有这样一张证书是多少有点帮助,而不是绝对肯定的答案呢?

茶艺师证照虽然是一种职业证照,但目前在中国还没有强制性要求,所以茶行、茶艺馆没有说是无具备茶艺师资格的从业人员不得经营。当然,如果茶企业招聘员工时,握有一张茶艺师证书的人是会被视为多一份资历的。

为什么说如果不是为求职而只是兴趣于泡茶,倒可不必?

因为茶艺师证照目前尚未显示泡茶能力证明的功效,原来设计时也没往这方面设想。原来茶艺师证照的职能要求仅偏向于为客人准备好泡茶的一切或是从事茶艺表演与解说。

如果从检测的内容来修正,是不是可以让茶艺师证照变得具有泡茶能力证明的功效?

可以的,只要在检测的时候加重将茶汤泡得精准的项目,就可以让茶艺师证照变得具有泡茶能力证明的功效。近来茶行、茶艺馆开始重视员工泡茶的能力,有泡茶师为客人泡茶的品茗馆也逐渐兴起,加重将茶汤泡得精准的茶艺师证照更可符合新时代的需要。

近来有些海外人士到中国参加茶艺师的考照,是不是意味着这些人对中国茶艺师证照的重视?

中国茶艺师证照由官方发给,这点是让大众觉得有信心的,但是举办考试的地点由各地不同层级的单位执行,试题由各省自行制订,这些试点对发证的态度与松紧程度相去颇大。应考员经历了考试的内容后,发现与他们想象的茶艺业内涵与茶道生活有一段距离。这是中国茶艺师证照应调整检测方法与方向的地方。

茶艺师证照的检测内容是不是也影响业界与人们在茶文化上的走向?

是的,大众会以为茶艺师证照的检测内容就是茶艺业应该的经营内容,也就是拟加入该行业的人应学习的功课。结果这就影响了业界与人们在茶文化上的走向。

某行业的职业证照或某学术领域的资格证书所检测的内容应该就是该行业、该学术领域的重心。一般人对某行业、某学术领域应有的走向不都是先知先觉的,如果其检测的内容有所偏差或与時代脱节,就会影响该行业、该学术领域的发展。同样的道理,有识之士也可以利用检测的内容引导某行业或某学术领域的前进方向。

现今的茶业正需要从茶叶市场拓展到茶汤市场,茶汤市场需要具备高度泡茶能力的人才,我们希望中国茶艺师证照能加重泡茶能力的检测,协助茶业走进茶汤市场的领域。现今的茶艺馆已为数不多,取得这样的茶艺师证照也是徒然,若能调整检测的方向而带动茶汤市场的兴起,茶艺师证照才有广阔的用武之地。

 

  (1990)

《约会中国茶A Passage To Chinese Tea》-许玉莲编著 -1999.06

《约会中国茶A Passage To Chinese Tea》

许玉莲等编著(合编)

1999.06 ,紫藤集团出版

ISBN983-99488-0-6

许玉莲
图上:许玉莲
 
 
 
 

★《约会中国茶A PASSAGE TO CHINESE TEA》

★1999年紫藤集团出版

★★★许玉莲编著(合编)

★马来西亚第1本中英双语的茶书,图文并茂彩色印刷,是茶界二十多年来的长销书。

★自1980年代现代茶文化发展,马来西亚第一套有系统整理的【现代泡茶法21步骤】 之小壶茶法的程序,图片详细注解,手把手指导。

★内容目录:〈茶源〉、〈茶类〉、〈茶器〉、〈茶艺〉、〈茶事〉等,书尾选录中国宜兴紫砂工厂的实用茶壶壶款名称。

(1948)

第五章 報到時段-蔡荣章

《無我茶會Sans Self Tea Gathering 180條》

蔡荣章Rong-tsang Tsai

1999.9第一版 2010.9第二版 台北陆羽茶艺股份有限公司

ISBN 978-957-9690-08-9

2012.05.20修订版

第五章 報到時段

38.抽籤、簽名等報到手續

    無我茶會的報到手續包括註冊、對時、抽籤與簽名,或加上在無我茶會護照上蓋戳章。

註冊是查明與會者是屬於事先報名還是現場報名,需不需要繳費?然後發給識別證。如果約定奉茶給圍觀者,還要發給一定數量的臨時性杯子或做為紀念品的特製杯子。這些動作應力求簡便,可省略的步驟儘量省略。

抽籤是抽座位的號碼籤,用以決定每人的泡茶位置,一般以小紙片寫上編號摺成小方塊放進籤袋裡即可。但也可以將此籤製作得具有紀念性,會後留著作回憶。簽名是為了留下紀錄,由於無我茶會以抽籤決定座位,所以簽名最好與座次結合更具意義。

39.人多時,如何縮短抽籤與簽名的時間

大型無我茶會可多設幾處抽籤的地方以節省時間,簽名的方式可改為在「號碼籤」旁附設「簽名條」,簽名條上同時打上座號,簽完名後將簽名條撕下,丟回「簽名條回收袋」,等茶會結束後,將簽名條依編號貼成一份簽名簿。

這樣的做法可能因找不到簽名用筆而耽誤時間,解決之道是負責抽籤的人每人手裡抓一把原子筆,每支原子筆用較長的細繩子綁著。這樣大家就可以很快地拿到筆簽名,但簽名條要用厚一點的紙張製作。

29.無我茶會的座號籤條

40.報到人數的掌握

人數多,而且是分成許多單位集體報名,又是有一部分人事先報名,有一部分人現場報名,這種情況,人數的掌握變得很重要。一定要設法讓與會者都通過註冊處,取得識別證後再參加抽籤入座。但這時註冊處的工作負擔很重,且容易耽誤時間,所以事先已報完名,確定出席者儘量提前發給識別證,且將這部分視為已報到的人員,直接進行抽籤。

41.人數與座位的控制

報到時段,註冊處、抽籤處與場地座位安排的人員必須密切聯繫。例如預計三百人的茶會,當天的種種跡象顯現會有不少臨時參加的人,於是座位規畫了三百五十人,其中五十個號碼籤暫時不放入籤袋內,待註冊組人員發現確實需要時,再通知抽籤組的人將預留的籤條放入。若發現無此需要,報到時間的尾聲就可以通知場地組人員拿掉那五十個座位。如果場地規畫上無法做到尾端整批五十個座位的增減,可以從三百五十個座位中,平均抽掉五十個號碼籤備用。

42.想讓沒帶茶具的朋友也一起參加茶會,怎麼辦

在路上遇見朋友,他聽說您要去參加無我茶會,吵著也要去,怎麼辦?只好帶他去。另外也難免有與會者帶著家人一同前往,這種狀況下,他們都沒準備泡茶,也沒帶茶具。照理只好讓他們一旁參觀,但也可以讓他們抽籤,坐在隊伍裡面接受奉茶,只是他與他左邊的三位朋友少掉一杯茶而已(若每人泡茶四杯)。

這種情形如果人數不多,就如同上述,視為與會人員即可,但如果人數太多,(但仍不宜超過泡茶人數的三分之一),應避免二個以上未帶茶具者坐在一起,否則他們左鄰幾個人的被奉茶杯數會變得太少。萬一抽籤後發現有這種現象,場地組的人應主動將第二個未帶茶具者往他處調一下,使間隔的人數平均一些。

43.「不泡茶者」入座的方法

與會者都要泡茶,這是無我茶會的基本原則,但如果我們以無我茶會的方式歡迎某些人,而這些人又都不熟悉泡茶,這時就可以從全部座位號碼牌中平均抽出“不泡茶者”的張數,由「不泡茶者」抽籤入座。這時不泡茶者的人數即使超過三分之一也無妨,因為大家都知道本次無我茶會有特殊的任務。但如果不泡茶者是泡茶者的二倍,就要考慮到每位不泡茶者只有一杯茶可喝,而且兩組座號的排列要特別小心,以免有人喝不到茶。

44.帶著幼兒一起參加,應否設置「母子簽」

這裡所說的「帶著幼兒一起參加無我茶會」是指小朋友也參加泡茶的意思,經驗告訴我們,三歲的小朋友就可以參加泡茶。如果小朋友有能力照顧自己,讓他們獨自抽籤入座最符合無我茶會的精神,如果尚需要大人的協助,可以在報名參加時告訴主辦單位請他們準備一些「母子簽」,由大人代表抽取。所謂「母子簽」就是連續二個號碼的座位簽綁在一起,依報名情形,酌量準備一些,多出來的還可以解開作為普通簽使用。

「母子簽」只適合攜帶幼兒時使用,若有大人要求使用是不可以的,因為違背了無我茶會的基本精神。抽完簽後與別人對調位置也是不對的。

45.「對時」如何實施

無我茶會是依事先排定的行程進行,期間沒人從事指揮,所以大家手錶上的時刻一致是很重要的。報到的時候,可以在註冊處旁放只時鐘,或由一個人拿著,上面寫著:「請對時」。

46.要設「引導人員」嗎

有人建議在大型無我茶會時,徵集一些志願者在各角落指導與會者。我們認為應儘量透過各種「事先的準備」與「訓練」,讓茶會在極簡單的人力與物力之下順利進行,這是無我茶會所要表現的境界。況且參加無我茶會的人一定參加過茶道訓練與無我茶會的說明會,不是任何人初次見面就可以參加的。

47.茶會進行間要不要有專人負責臨時發生的事情

無我茶會開始泡茶後,所有的工作人員都回到自己的座位參與泡茶,除了攝錄影與音響的人員之外。但大型的無我茶會,尤其是國際性的場合,可保留一兩位在服務臺上負責解決臨時發生的事情。

48.缺席的座位號碼牌如何處理

「茶具觀摩與聯誼」的時間過了一半,場地組的人每人負責收回自己負責區域內缺席者的座號牌(含紀念品),這樣會場看來整潔些。

49.工作人員何時入場

除了攝錄影、音響的工作人員外,其他如場地、報到處的人員都要參加泡茶的。報到處人員應提前抽好簽,將自己的茶具擺設妥當,然後開始執行任務,等「茶具觀摩與聯誼」的時間過了一半,報到處停止作業,回到自己的座位準備泡茶。

50.遲到的人怎麼辦

「茶具觀摩與聯誼」的時間過了一半,報到處停止作業後,遲到的人就不可以再加入泡茶了,免得影響會場秩序。遲到的人只能在旁參觀或者自動作為「留守」人員,協助解決會場臨時發生的事情。

51.表演者、解說員等的座位安排

無我茶會設有對外解說時,解說員的位置不在泡茶座位之列,至於表演者,由於有風向、音響設備等考慮,所以座位應該事先安排,不必列入抽籤的範圍,也就是座位號碼照編,但號碼簽不放入簽袋內,而是由「註冊組」工作人員直接交給表演者。表演者拿到簽條,依舊完成簽名手續,免得在「無我茶會紀」的簿子上找不到他們的蹤影。

與會者中若有行動不便者,可以保留一些較接近報到處,或就坐比較容易的位子,這些座位的號碼簽也直接交給註冊組人員,由他們發放。

52.因無可奈何的原因使得茶會無法依原定時間進行,如何補救

依事先排定的時間進行,是無我茶會的基本原則,但若遇到無可奈何的原因,如合辦單位的班機誤點,判定已無法依原訂的時間進行,這時主辦單位可依延誤時間的長短做不同的處置:延誤時間在一小時以上,儘量通知與會人員,修改茶會時間;若延誤時間在一個小時以內,只好在註冊處公告延誤的原因及修改的時間;若已有人開始就座,就得透過廣播或舉牌繞行通知。特別說清楚「開始泡茶」的時間改在什麼時候,因為泡茶前的「茶具觀摩與聯誼」可以先進行,泡茶以後的各項進度也只是跟在泡茶之後。

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